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Shades of Black
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Melancholia Africana
Melancholia Africana argues that in the African and Afro-diasporic context, melancholy is rooted in collective experiences such as slavery, colonization, and the post-colony. From these experiences a theme of loss resonates--loss of land, of freedom, of language, of culture, of self, and of ideals born from independence. Nathalie Etoke demonstrates that, beyond territorial expropriation and the pain inflicted upon the body and the soul, the violence that seals the encounter with the 'other' annihilates an age-old cycle of life. In the wake of this annihilation, continental and diasporic Africans strive to reconcile that which has been destroyed with what has been newly introduced. Their survival depends on their capacity to negotiate the inherent tension of their historical becoming. The book develops a transdisciplinary method encompassing historicism, critical theory, Africana existential thought, and poetics.
Melancholia Africana
Melancholia Africana argues that in the African and Afro-diasporic context, melancholy is rooted in collective experiences such as slavery, colonization, and the post-colony. From these experiences a theme of loss resonates—loss of land, of freedom, of language, of culture, of self, and of ideals born from independence. Nathalie Etoke demonstrates that, beyond territorial expropriation and the pain inflicted upon the body and the soul, the violence that seals the encounter with the ‘other’ annihilates an age-old cycle of life. In the wake of this annihilation, continental and diasporic Africans strive to reconcile that which has been destroyed with what has been newly introduced. Their survival depends on their capacity to negotiate the inherent tension of their historical becoming. The book develops a transdisciplinary method encompassing historicism, critical theory, Africana existential thought, and poetics.
Black Existential Freedom
The history of slavery, colonization, subjugation, gratuitous violence, and the denial of basic human rights to people of African descent has led Afro-Pessimists to look at black existence through the lens of white supremacy and anti-blackness. Against this trend, Black Existential Freedom argues that Blackness is not inherently synonymous with victimhood. Rather, it is inextricable from existential freedom and the struggle for political liberation. This book presents an existential analysis of continental and diasporic African experiences through critical interpretations of music, film, and fiction that portray what it means to be human— to persevere in the tension between life and physic...
Existence in Black
This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.
Blind Spot
In Blind Spot, Myriam Tadessé exposes the difficulty, even the impossibility, for France to truly understand and celebrate the lived realities of mixed or biracial French citizens. What the French word métis — which translates to ‘half-breed’ or ‘mixed-race’ — hides is how central the notion of race actually is in a society that claims to repudiate it. The French film and theatre world, in which Tadessé has made her career, appears unable to confront the individuality of the performers. They are required to correspond to categories — often based on race — that don’t allow for biracial identities. This classification not only contradicts France’s asserted ideals but als...
African Women Playwrights
For the first time, a distinctive collection of plays by African women published in English
Mokusei!
Two men talk in Tokyo. One, a Belgian, is a diplomat. The other, Dutch, is a photographer. What, they wonder, is the real face of Japan? How can they get beyond the European idea of the nation and its people--with its exoticism--and see Japan as it truly is? The Belgian has an idea: he helps the photographer find a model to shoot in front of Mount Fuji as the "typical Japanese." The plan works better than either had imagined--in fact, it works too well: the photographer falls in love, neglects his friend and his career, and, feeling out of place and disillusioned in Holland, returns to Japan as often as possible over the next five years. A reunion is planned: the three will meet again at Mount Fuji. Time, it seems, has stood still . . . except the woman has a secret, and plans of her own. This moving novel of obsession and difference is the latest masterwork from one of the greatest European writers working today, redolent with the power of desire and alive to the limits of our understanding of others.
Against Empathy
In a divided world, empathy is not the solution, it is the problem. We think of empathy – the ability to feel the suffering of others for ourselves – as the ultimate source of all good behaviour. But while it inspires care and protection in personal relationships, it has the opposite effect in the wider world. As the latest research in psychology and neuroscience shows, we feel empathy most for those we find attractive and who seem similar to us and not at all for those who are different, distant or anonymous. Empathy therefore biases us in favour of individuals we know while numbing us to the plight of thousands. Guiding us expertly through the experiments, case studies and arguments on all sides, Paul Bloom ultimately shows that some of our worst decisions – in charity, child-raising, criminal justice, climate change and war – are motivated by this wolf in sheep's clothing. Brilliantly argued, urgent and humane, Against Empathy overturns widely held assumptions to reveal one of the most profound yet overlooked sources of human conflict.
The Contemporary Francophone African Intellectual
The Contemporary Francophone African Intellectual examines the issues with which the contemporary African intellectual engages, the fields s/he occupies, her/his residence and perspective, and her/his relations with the State and the people. In an increasingly economically deprived Africa, in which some states are ruled by dictators, what chances do people have of becoming intellectuals, using their critical faculties to challenge hegemony, enacting the transformative power of ideas in a public forum? Do intellectuals who remain in Africa run the risk of being swallowed into a vortex of hagiography? What is the responsibility of the intellectual in the face of an event such as the Rwandan ge...
