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Semiotics, Law & Art
This book presents an interdisciplinary study of the relation between semiotics, law & art. Focusing on Greimasian semiotics, it examines specific works of art (from Giotto to Banksy) that deal with the theme of justice, promoting a more sensitive and humanized perception of the values that surround law. The book offers readers a comprehensive review of the semiotics of law, critically examining the relation between law & art. It covers a variety of topics, including semiotics, law and art; semiotics, art and experience; and society, law and art, as well as semiotics, law and painting; semiotics, law and architecture; semiotics, law and theatre; semiotics, law and literature; and semiotics, ...
Cinematic perspectives on international law
The proposed volume consists of an edited collection within the new Melland Schill Guidebooks on International Law (MSGIL) series. In line with the MSGIL objective of inclusiveness, originality, perspectivism and critical thought, the book is the first of an intended series pertaining to perspectives related to the ways in which the arts influence the perception and attitude of the public towards international law, and the manner this affects the discipline, both in terms of its own development and in terms of its social legitimacy. The book contrasts the narratives of international law depicted in cinema and TV productions with the corresponding narratives advanced by legal scholars. It identifies a cognitive dissonance between them and ascertains its implications on general perceptions of international law.
Synesthetic Legalities
Synesthesia is the phenomenon where sensual perceptions are joined together as a combined experience – that is, the ability to feel color, hear the visual, or even smell emotion. These types of unions expand the normativity of our legal thinking, as the abilities to represent the tethering of emotion, place, and concept to law are magnified. In this way, interpretations of law and legal phenomena that are enriched with embodied meaning contribute to our understanding of how law works – namely through sensory input, sensory output, and the attachment that happens within these sensory unions. This edited volume explores the richly complex manifestations of synesthesia and law drawing from a plurality of approaches, including legal studies, philosophy, social science, linguistics, history, cultural studies, and the humanities. Contributions in the volume discuss how we feel/taste/smell/see/hear law within the synesthetic scope of legal interpretation, legal consciousness, and legal culture. The collection examines aspects of embodiment, place, and presence that constitutively frame law amidst social, cultural, and historical contexts.
Inventing the modern region
This book explores the process by which the French Basque country acquired a folkloric regional identity in the long nineteenth century. It argues that, despite its origins in pre-modern customs, this stereotypical identity was invented as part of France’s process of nation-building. The abolition of privileges in 1789 prompted a new interest in local culture as the defining feature of provincial France, shaping the transition from the pre-‘modern’ province to the ‘modern’ region. The relationship between the region and the nation, however, was difficult. Regional culture favoured the integration of the French Basque provinces into the French nation-state but also challenged the authority of the central state. As a result, Basque region-building reveals the strengths and weaknesses of the unitary model of French nationhood, in the nineteenth century as well as today.
L' Héritage politique de la Révolution française
L'héritage politique de la Révolution française se retrouve aussi bien dans les principes de notre droit constitutionnel que dans nos conflits idéologiques ou nos comportements politiques. Une équipe de chercheurs venus d'horizons divers s'est réunie pour en étudier les différents aspects.
Entertainment - Droit, Médias, Art, Culture 2017/1
Découvrez le sommaire de ce premier numéro et l'article "Pourquoi une nouvelle revue ?" Discover the table of contents of this first issue and the article "Why a New Publication?"
Guide des études et de l'orientation (2)
Tous les conseils pratiques, les informations utiles, les méthodes efficaces, pour accompagner les enfants, puis les jeunes, durant les 9 à 22 ans qu'ils peuvent passer dans le monde de l'enseignement. Réalisés par une équipe de conseillers d'orientation, et un responsable d'association de parents d'élèves, et contrôlés par les enseignants : - des guides pratiques pour assurer une meilleure liaison famille-école et une compréhension mutuelle ; - des ouvrages de référence documentés, tenus à jour et objectifs. En annexes, une table des abréviations à connaître pour parler le même langage que les professionnels de l'enseignement ASEM ? CP ? CDI ? DUT ? ESEU ? CROUS ? qu'est-...
Le tiers impartial et indépendant en droit international, juge, arbitre, médiateur, conciliateur
Le tiers impartial et indépendant a pris une telle importance dans la création normative juridique qu’il a paru nécessaire de se pencher sur ce personnage qui cristallise un grand nombre de critiques, probablement à la mesure du pouvoir accru qui lui est conféré. C’est à cette tâche que le présent volume est consacré. L’auteur emmène le lecteur à travers le dédale de la maison justice : contexte théorique et philosophique, aspects historiques, architecture, iconographie, méthodes décisionnelles, modes alternatifs, les dialogues divers mis en place entre les tiers et avec les experts. L’objectif de l’auteur est de susciter l’esprit critique du lecteur en lui permettant de se poser des questions qu’il n’a pas l’habitude d’énoncer.
Semiótica, Direito & Arte
A obra Semiótica, Direito e Arte traz em seu interior uma contribuição original à análise da relação entre Direito e Arte. Ao se propor a um empreendimento interdisciplinar, a obra valoriza a sensibilidade artística, e coloca o Direito em relação com a Pintura, a Arquitetura, a Literatura e o Teatro, e procura analisar obras concretas. A proposta de fazer migrar o olhar sensível das artes para o olhar dos juristas procura acentuar a percepção humanizada das tarefas de Justiça e Cidadania. A obra está dividida em duas partes e procura explorar o tema a partir da categoria filosófica da experiência artística, debruçando-se de forma reflexiva e criativa sobre o universo simbólico do Direito. O método de abordagem dos temas é a Semiótica do Direito, em conexão com a Semiótica da Arte, dentro da perspectiva da École de Paris, voltando-se para a análise dos traços simbólicos da Justiça, procurando-se acuidade de percepção daquele que corresponde ao valor central da área do Direito.
