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Dancing Postcolonialism
This book presents the first in-depth critical and historical examination of the internationally renowned National Dance Theatre Company of Jamaica (NDTC) in the context of postcolonial theatre. Combining a postcolonial theoretical framework with performance studies and dance analysis, the study examines the interrelationship of Jamaican modern dance theatre aesthetics and the Caribbean's complex cultural genealogy since 1492. Addressing issues of postcolonial nationalism and Jamaican identity politics, the book provides the first comprehensive study of the NDTC's modern dance theatre works as it situates dance theatre choreography at the centre of postcolonial independence politics and cultural theory in the Caribbean.
Dance Jamaica
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Dance Jamaica
One of the most innovative companies to have achieved world acclaim in the last half of the twentieth century, the National Dance Theatre Company of Jamaica blends the lore, music and dance traditions of Jamaica, the wider Caribbean and the American South with both Modern and European classical ballet forms. This richly illustrated history celebrates the Company's first forty-five years.
Rex Nettleford, His Works
Bibliografie van het werk van Rex Nettleford. Bevat ook Nettleford's choreografie voor het National Danstheater van Jamaica.
Jamaican Theatre
The late Wycliffe Bennett (1922-2009), widely regarded as the godfather of the Jamaican theatre in the second half of the twentieth century, brings all his experience and insight to this last, formidable production. Wycliffe Bennett saw almost every theatrical production of note in this period, directed some productions himself, and, in addition, worked as a manager and trainer in speech, radio and television. His wife, Hazel, co-author of this liberally illustrated work, adds her skills as documentalist and witness. Together, the Bennetts have produced the first book of its kind, a panorama of performance, from the imported touring companies and fledgling local elitist groups of the 1920s a...
Dance in a World of Change
With contributors from many fields and diverse cultural backgrounds, this book expands on the discourse and curriculum of dance in ways that connect it to the critical, political, moral and aesthetic dimensions of society, for example, examining choreography and issues of the self.
Contemporary African Dance Theatre
This book is the first to consider contemporary African dance theatre aesthetics in the context of phenomenology, whiteness, and the gaze. Rather than a discussion of African dance per se, the author challenges hegemonic perceptions of contemporary African dance theatre to interrogate the extent to which white supremacy and privilege weave through capitalist necropolitics and determine our perception of contemporary African dance theatre today. Multiple aesthetic strategies are discussed throughout the book to account for the affective experience of ‘un-suturing’ that touches white spectatorship and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics.
Daniel Lewis
Daniel Lewis's legacy as a hugely influential choreographer and teacher of modern dance is celebrated in this biography. It showcases the many roles he played in the dance world by organizing his story around various aspects of his work, including his years at the Juilliard School, dancing and touring with the Jose Limon Company, staging Limon's masterpieces around the world, directing his own company (Daniel Lewis Dance Repertory Company), writing and choreographing operas and musicals, and his years as dean of dance at New World School of the Arts. His life has spanned a particular period of growth of modern and contemporary dance, and his biography gives insight into how the artistic and journalistic perspectives on modern dance were influenced by what was occurring in the broader dance and arts communities. The book also offers rarely seen photographs and interviews with unique perspectives on many dance luminaries.
