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The first biographical dictionary in any Western language devoted solely to Chinese women, this reference is the product of years of research, translation, and writing by a team of over 60 China scholars from around the world. Compiled from a wide array of original sources, these detailed biographies present the lives, work, and significance of more than 200 Chinese women from many different backgrounds and areas of interest.
"There is absolutely nothing remotely like this book in the history of late imperial women. [An] immensely important book."—Gail Hershatter, author of Women in China's Long Twentieth Century "A masterful work."—Lynn Hunt, coeditor of Beyond the Cultural Turn
Eminent Chinese of the Qing Period was first developed under the auspices of the US Library of Congress during World War II. This much-loved work, edited by Arthur W. Hummel Sr., was meticulously compiled and unique in its scope, and quickly became the standard biographical reference for the Qing dynasty, which lasted from 1644 to 1911/2. Amongst the contributors are John King Fairbank, Têng Ssû-yü, L. Carrington Goodrich, C. Martin Wilbur, Fêng Chia-shêng, Knight Biggerstaff, and Nancy Lee Swann. The 2018 Berkshire edition contains the original eight hundred biographical sketches as well as the original front and back matter, including the preface by Hu Shih, a scholar who had been Chi...
Pastimes is the first book in English on Chinese jinshi, or antiquarianism, the pinnacle of traditional connoisseurship of ancient artifacts and inscriptions. As a scholarly field, jinshi was inaugurated in the Northern Song (960–1127) and remained popular until the early twentieth century. Literally the study of inscriptions on bronze vessels and stone steles, jinshi combined calligraphy and painting, the collection of artifacts, and philological and historical research. For aficionados of Chinese art, the practices of jinshi offer a fascinating glimpse into the lives of traditional Chinese scholars and artists, who spent their days roaming the sometimes seamy world of the commercial art ...
This collection of essays is a result of an academic conference entitled "Books in Numbers" held in celebration of the seventy-fifth anniversary of the Harvard-Yenching Library. The aim of this conference was to celebrate the book culture of East Asia by comparing and contrasting the development of manuscript and print culture in each of the separate cultural areas of the region: China, Korea, Japan, Vietnam, and Central Asia. The essays do not attempt to offer a "complete" picture of the history of writing and the book in East Asia, but rather they hope to make a modest contribution by highlighting the differential developments in each of the cultural regions, as they were influenced by political, economic, social, and cultural factors.
This Chinese edition of the Biographical Dictionary of Chinese Women, edited by Lily Xiao Hong Lee and assisted by Ms Yuk Ping Chan, is published in full Chinese characters. This volume provides biographical information on the lives, work and significance of over 200 Chinese women whose stories have influenced Chinese culture. These women come from various backgrounds and areas of interest including literature, painting, drama, embroidery, pottery, politics, science, religion and cuisine.
This is a study of Chinese gentry women’s poems on the theme of travel written during the late imperial period (ca.1600–1911), when Chinese women’s literature and culture flourished as never before. It challenges the clichéd image of completely secluded and immobile women anxiously waiting inside their prescribed feminine space, the so-called inner quarters, for the return of traveling husbands or other male kin. The travel poems discussed in this book, while not necessarily representative of all of the women writers of this period, point to the fact that many of them longed to explore the world through travel as did so many of their male counterparts. Sometimes they were able to actu...
This anthology presents substantial selections from the work of twenty Manchu women poets of the eighteenth and nineteenth centuries. The poems, inspired by their daily life and reflections, provide fascinating insights into the experiences and emotions of these women, most of whom belonged to the elite families of Manchu society. Each selection is accompanied by biographical material that illuminates the life stories of the poets. The volume’s introduction describes the printing history of the collections from which these poems are drawn, the authors’ practice of poetry writing, ethnic and gender issues, and comparisons with the poetry of women in South China and of male authors of the Qing dynasty (1644–1911).