You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
To write these poems, I select a paragraph from a Woolf novel-The Waves or Mrs. Dalloway-and only use the words from that paragraph to create a poem. I essentially write poems while doing a word search using Virginia Woolf as source material. I don't allow myself to repeat words, add words, or edit the language for tense or any other consideration. These poems are simultaneously defined by both Woolf's choices with language as well as my own. They feel like an homage to this writer I so admire as well as a way of authentically expressing my lived experience.
Nazifa Islam's debut poetry collection tells the story of Rosemary who wants to love and to be loved but finds it tragically impossible.
With patience, persistence and love, a man called Bird befriends Annie, an abused and difficult mare. Eventually, Annie reciprocates Bird's affection, but their relationship is sorely tested when they are separated by a catastrophic wildfire. In order to reunite, they must battle not only the forces of nature but the greed and cunning of unscrupulous men.
Nazifa Islam's debut poetry collection tells the story of Rosemary who wants to love and to be loved but finds it tragically impossible.
Seth Johnson's debut story collection comprises twelve linked tales set in Kentucky against the backdrop of the disintegration of a young marriage amidst thwarted expectations and contrasted by illustrations of the unconditional love freely given by dogs. A man on the run hides out at a boarding house owned by a paraplegic woman whose uncle's dog gives birth with an ease that impresses the observers of this ordinary event. A young man confesses his extramarital affairs to his mother. A housewife attends the funeral of a young woman whom she never knew. In precise, evocative prose, The Things We Do for Women explores the perpetual desire for love and the obstacles to obtaining it.
Poetry. Explains Janet Holmes: "If you write out 'The Poems of Emily Dickinson' and erase some of the letters very neatly and precisely, you can get to THE MS OF M Y KIN—the manuscript of my kin, as it were; the manuscript of my family. It might also be said to be the manuscript of my kind." "If Ronald Johnson had an epic (Paradise Lost) to erase in creating his masterwork, RADI OS, then Janet Holmes has chosen a more difficult task, namely that of erasing from the most compressed poetry there is. Emily Dickinson's poems come to us so nearly pre-erased that their further erasure by Holmes dramatically frees instances of prophecy, voices from 1861-62 rediscovered in contemporary political discourse. It seems that the best of the embeds in Iraq was Emily Dickinson; read her reports from the (af)front here"—Susan M. Schultz.
This interracial, intergenerational saga of love, land and loss is told from the disparate perspectives of Ruth Thatcher, who is Black, and Jonas Thatcher, who is White, and spans nearly a century. The story begins in 1917 when Ruth and Jonas are farm children and ends in 2005 as their descendants struggle to unravel and understand the legacies of this star-crossed pair. During the course of their lifetimes, Ruth and Jonas-- and their respective families-- have evolved and ultimately have prospered, but it is left for their descendants to come to grips with the long-unacknowledged truth that the two families are actually one.
Compelling and vivid, the stories in Bread and Salt use the metaphor of salvage to consider the reclamation of the natural environment, human relationships, and material objects. The characters in these stories live and travel in Tunisia, India, Indonesia, Italy, Turkey, France, and the United States and consider their individual agency in both local and global contexts. The characters' conflicts reveal how family and friendships are enriched by differences.
In The Melancholy of Anatomy, his ninth collection of poetry, Martin Corless-Smith turns his attention towards ageing and mortality, and in particular to the death of his father. Shifting between formal verse and prose, from the metaphysical to the whimsical, from surreal to anecdotal, the book moves between poetic articulations as a mind might through memories, sifting to find anything to hold on to as everything flows and falls away. At times melancholic at times nihilistic at times luminous and dark, this collection asks questions about poetry, memory and what it is to have loved and lived. Praise for The Fool and The Bee: "Corless-Smith has an extraordinary eye for detail and this meticu...
Ocean Vuong meets Natalie Diaz in dreamlike, blood-soaked verse that explores the cost of memory and mourning. Swallowed Light begins at the opened clearing of myth, at the mouth of history. In his breathtaking debut poetry collection, Michael Wasson writes into the gaps left by a legacy of erasure—the wholly American fracture of colonialism—where the indigenous tongue is determined to bloom against its own vanishing. These poems mourn and build with pattern and intricacy, intuition and echo, calling ocean and heartbreak and basalt, monsters and bullets and bones, until they form one vibrant song.