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Richard believes what little love he had in his life has withered, but before she died, his darling Gloria unlocked her silent throat. Now the time has come for Richard to sing his own song, to face the future, to make the right choice.
This book explores how the youth experience, viscerally felt and deeply ingrained at a time of substantial physical, psychological and emotional changes, serves to authenticate that youth experience to the exclusion of that of ensuing youth generations. Using Cohen’s concept of moral panic to frame the intergenerational conflict, notions of generational exclusivity and authenticity are explored through Bourdieu’s concept of habitus – how each generation privileges its own youth experience as the ‘standard’ by which other youth generations can be judged. Shared authenticated ‘generational understandings’ act as the benchmark by which ensuing youth generations can be assessed and...
A brief summary of financial proposals filed with and actions by the S. E. C.
Fleeing an academic scandal and a broken marriage, Jean Fairbairn has come to Scotland to work for an Edinburgh-based history and travel magazine. But when Jean heads for the Highlands to investigate the 18th century mystery of Bonnie Prince Charlie's lost treasure, she finds herself involved in a contemporary murder case - and not as an innocent bystander, either. Alasdair Cameron, the police detective in charge, has his own perspective on reality and illusion. The American dot-com millionaire living out his tartan fantasies in a restored mansion is the loosest of loose cannons. His trophy wife isn't necessarily standing by her man. Their housekeeper knows what's going to happen before it does. And their youth piper is a kilted daydream, even though his parents are nightmares. If butting heads - not to mention hearts - with Cameron isn't enough to do Jean in, then a killer is waiting and watching, with a motive for murder not hidden nearly deeply enough in the past.
Lists documents available from Public Reference Section, Securities and Exchange Commission.
Leeds, 1980. Amid the violence and decay, the city was home to an extraordinarily vibrant post-punk scene. Out of that swamp crawled the Sisters of Mercy. Over the next five years, they would rise from local heroes to leading alternative band, before blowing apart on the verge of major rock stardom. Their path was strewn with brilliant singles, astonishing EPs, exceptional album tracks and legendary live shows. Two classic line-ups were created and destroyed: Andrew Eldritch on vocals, Craig Adams on bass, Gary Marx and Ben Gunn – later replaced by Wayne Hussey – on guitars, and a drum machine called Doktor Avalanche. Hussey and Adams styled themselves as the Evil Children and played har...
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