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Neoclassicism
  • Language: en
  • Pages: 63

Neoclassicism

  • Categories: Art

In the arts, Neoclassicism is a historical tradition or aesthetic attitude based on the art of Greece and Rome in antiquity. The movement started around the 18th-century, age of Enlightenment, and continued into the early 19th-century The general credo associated with the aesthetic attitude of Classicism was that art had to be rational and therefore morally better. Neoclassicists also believed that art should be cerebral, not sensual and therefore characterised by clarity of form, sober colours and shallow space. It was a reaction against both the surviving Baroque and Rococo styles, and a desire to return to the perceived ""purity"" of the arts of Rome. The important artists of the movement include the sculptors Antonio Canova,Jean-Antoine Houdon and Bertel Thorvaldsen, and the painters J.A.D. Ingres, Jacques-Louis David and Anton Raphael Mengs.

Historical Dictionary of Neoclassical Art and Architecture
  • Language: en
  • Pages: 411

Historical Dictionary of Neoclassical Art and Architecture

  • Categories: Art

Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the 1750s until around 1830, with late neoclassicism lingering through the 1870s. It is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was unified under a broad interest in classical antiquity. The movement was born in Italy and France and spread across Europe to Russia and the United States. It was motivated by a desire to use ideas from antiquity to help address modern social, economic, and political issues in Europe, and neoclassicism came to be viewed as a style and philosophy that offered a sense of purpose and dignity to a...

Neoclassicism A&i
  • Language: en
  • Pages: 452

Neoclassicism A&i

  • Categories: Art

An insight into the richness and variety of this dynamic style.

English Neoclassical Art
  • Language: en
  • Pages: 338

English Neoclassical Art

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Neoclassicism and Romanticism
  • Language: en
  • Pages: 198

Neoclassicism and Romanticism

  • Categories: Art

Neoclassicism, which arose during the 18th Century's Age of Enlightenment, was inspired by the rationality, simplicity and grandeur of ancient Greece and Rome. This book focuses on the influential Neoclassic and Romantic art movements. It illuminates the ideas and events that shaped this era of artistic ferment.

Neo-classicism: Style and Motif
  • Language: en
  • Pages: 184

Neo-classicism: Style and Motif

  • Type: Book
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  • Published: 1964
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  • Publisher: Unknown

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The Age of Undress
  • Language: en
  • Pages: 217

The Age of Undress

Exploring the popularity and meaning of neoclassical dress in the 1790s, this book traces its evolution in Europe and relationship to other artistic media.

Historical Dictionary of Neoclassical Art and Architecture
  • Language: en
  • Pages: 314

Historical Dictionary of Neoclassical Art and Architecture

  • Categories: Art

The Historical Dictionary of Neoclassical Art and Architecture provides an overview of Neoclassicism, focusing on its major artists, architects, stylistic subcategories, ideas, and historical framework of the 18th century style found mainly in Europe and the United States. This is done through a chronology, an introductory essay, an extensive bibliography, and over 200 dictionary entries on famous artists, sculptors, architects, patrons, and other historical figures and events.

Russian Art
  • Language: en
  • Pages: 328

Russian Art

  • Type: Book
  • -
  • Published: 1990
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  • Publisher: ABRAMS

As Dmitri Sarabianov tells us in this lively book, Russia first turned its face to Europe at the beginning of the eighteenth century. By the start of the nineteenth century, European ideas had been assimilated into the rich substratum of Russian culture and a unique amalgam began to emerge. Indigenous subjects became the focus of Russian art. In 1870, the Society for Traveling Art Exhibitions, whose members were known as the Wanderers, was founded. Its dual purpose was to educate the people through traveling exhibitions and to work for social reform. At the turn of the century, the dominant mode was Symbolism. But Modernist tendencies and other currents were gaining strength. These diverse aesthetics had to be rethought in 1917, when the Revolution brought the Bolsheviks to power. Functional, applied design came to the forefront. It is here, with the close of the most brilliant and innovative period in Russia's artistic life so far, that Professor Sarabianov ends his account of the pivotal years that led to the dazzling abstract, geometrical breakthroughs of Russian art. -- From publisher's description.

Geometries of Silence
  • Language: en
  • Pages: 284

Geometries of Silence

Based on little-known or hitherto unpublished material and enhanced by a wealth of rarely seen illustrations, this book offers access to the aesthetics of neoclassical Europe from a new perspective: landscape painting and interior decoration. The source documents, together with the nexus of relationships they helped to establish, reveal a world shaken by a series of epochal changes. This study of paintings, drawings, and documents touches on such themes as the rediscovery of the ancient world, aristocratic homes in the neoclassical period, and the birth of the rationalist landscape. While the most important artists are French, the chosen vantage point is Rome, because of the impact of antiqu...