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Spring and All
  • Language: en
  • Pages: 113

Spring and All

Heavily influenced by T. S. Eliot's "The Waste Land," the poems of Spring and All express the author's beliefs about the role and form of art in a modern context. William Carlos Williams offers an intensely stylized set of exercises in reduction that capture, in his words, "the immediacy of experiences." Sections of vivid, sensuous prose — described by the poet as "a mixture of philosophy and nonsense"—alternate with straightforward free verse that explores the creative uses of imagination and the power of language. "Spring and All," the title work of this 1923 collection, represents Williams's first major achievement as a poet, and was praised by The New York Times as one of the greatest poems of the twentieth century. This groundbreaking compilation also features some of the poet's best-known verse, including the modernist masterpieces: "The Red Wheelbarrow" and "To Elsie."

Antwerp (New Directions Pearls)
  • Language: en
  • Pages: 97

Antwerp (New Directions Pearls)

"Antwerp's" signature elements--crimes and campgrounds, drifters and poetry, sex and love, corrupt cops and misfits--mark this, his first novel, as pure Bolao. A elegantly produced, small collectible stamped cover-on-cloth edition.

Patriotism
  • Language: en

Patriotism

One of the most powerful short stories ever written, this work discusses the dynamics of patriotism and honor, love and suicide.

The Leviathan (New Directions Pearls)
  • Language: en
  • Pages: 65

The Leviathan (New Directions Pearls)

"In the small town of Progrody, Nissen Piczenik makes his living as a respected coral merchant. Despite his knowledge of coral, Nissen has never seen the sea. When a visiting sailor offers to take Nissen to Odessa, he eagerly accepts. But upon his return to Progrody, Nissen finds that a new coral merchant has moved into a neighboring town and is gaining popularity. As his customers dwindle, life takes an evil twist for Nissen Progrody. And the final decider of his fate may be the devil himself."--P. [4] of cover.

On Booze (New Directions Pearls)
  • Language: en
  • Pages: 96

On Booze (New Directions Pearls)

A collection of F. Scott Fitzgerald’s best drinking stories makes this the most intoxicating New Directions Pearl yet! “First you take a drink,” F. Scott Fitzgerald once noted, “then the drink takes a drink, then the drink takes you.” Fitzgerald wrote alcohol into almost every one of his stories. On Booze gathers debutantes and dandies, rowdy jazz musicians, lost children and ragtime riff-raff into a newly compiled collection taken from The Crack-Up, and other works never before published by New Directions. On Booze portrays “The Jazz Age” as Fitzgerald experienced it: roaring, rambunctious, and lush — with quite a hangover.

Morphine (New Directions Pearls)
  • Language: en
  • Pages: 65

Morphine (New Directions Pearls)

From the author of The Master and Margarita comes this short and tragic masterpiece about drug addiction Young Dr. Bromgard has come to a small country town to assume a new practice. No sooner has he arrived than he receives word that a colleague, Dr. Polyakov, has fallen gravely ill. Before Bromgard can go to his friend’s aid, Polyakov is brought to his practice in the middle of the night with a self-inflicted gunshot wound, and, barely conscious, gives Bromgard his journal before dying. What Bromgard uncovers in the entries is Polyakov’s uncontrollable and merciless descent into morphine addiction — his first injection to ease his back pain, the thrill of the drug as it overtakes him, the looming signs of addiction, and the feverish final entries before his death.

Urn Burial
  • Language: en
  • Pages: 100

Urn Burial

Urn Burial, one of the most influential essays in Western literature, is now available as a New Directions Pearl.

The Literary Conference (New Directions Pearls)
  • Language: en
  • Pages: 97

The Literary Conference (New Directions Pearls)

New in the New Directions Pearls series: an extremely rich mad scientist attempts to clone a leading genius in a bid to take over the world. César is a translator who’s fallen on very hard times due to the global economic downturn; he is also an author, and a mad scientist hell-bent on world domination. On a visit to the beach he intuitively solves an ancient riddle, finds a pirate’s treasure, and becomes a very wealthy man. Even so, César’s bid for world domination comes first and so he attends a literary conference to be near the man whose clone he hopes will lead an army to victory: the world-renowned Mexican author, Carlos Fuentes. A comic science fiction fantasy of the first order, The Literary Conference is the perfect vehicle for César Aira’s take over of literature in the 21st century.

The Night Before Christmas (New Directions Pearls)
  • Language: en
  • Pages: 84

The Night Before Christmas (New Directions Pearls)

Nikolai Gogol's hilarious and macabre tale of a Christmas Eve with a devil and a romantic twist. It is the night before Christmas and devilry is afoot. The devil steals the moon and hides it in his pocket. He is thus free to run amok and inflicts all sorts of wicked mischief upon the village of Dikanka by unleashing a snowstorm. But the one he’d really like to torment is the town blacksmith, Vakula, who creates paintings of the devil being vanquished. Vakula is in love with Oksana, but she will have nothing to do with him. Vakula, however, is determined to win her over, even if it means battling the devil. Taken from Nikolai Gogol’s first successful work, the story collection Evenings on a Farm Near Dikanka, The Night Before Christmas is available here for the first time as a stand-alone novella and is a perfect introduction to the great Russian satirist.

Never Love a Gambler (New Directions Pearls)
  • Language: en
  • Pages: 96

Never Love a Gambler (New Directions Pearls)

In 'Never Love a Gambler,' the Irish writer Keith Ridgway flips conventional narrative with unconventional drama. His charcters negotiate their way through love and lust, religious obsession and ghost sightings, crimes and disappearance in stories told with innovative mastery and brightened by fiercely vivid dialogue. Here, Ridgway showcases his brilliance as a bracing and violently funny storyteller.