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Folktales Retold
Folktales and fairy tales are living stories; as part of the oral tradition, they change and evolve as they are retold from generation to generation. In the last thirty years, however, revision has become an art form of its own, with tales intentionally revised to achieve humorous effect, send political messages, add different cultural or regional elements, try out new narrative voices, and more. These revisions take all forms, from short stories to novel-length narratives to poems, plays, musicals, films and advertisements. The resulting tales paint the tales from myriad perspectives, using the broad palette of human creativity. This study examines folktale revisions from many angles, drawing on examples primarily from revisions of Western European traditional tales, such as those of the Grimm Brothers and Charles Perrault. Also discussed are new folktales that combine traditional storylines with commentary on modern life. The conclusion considers how revisionists poke fun at and struggle to understand stories that sometimes made little sense to start with.
Silhouette
None
Texts Of Desire
First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
All Our Stories Are Here
This wide-ranging collection of essays addresses a diverse and expanded vision of Montana literature, offering new readings of both canonical and overlooked texts. Although a handful of Montana writers such as Richard Hugo, A. B. Guthrie Jr., D'Arcy McNickle, and James Welch have received considerable critical attention, sizable gaps remain in the analysis of the state's ever-growing and ever-evolving canon. The twelve essays in "All Our Stories Are Here" not only build on the exemplary, foundational work of other writers but also open further interpretative and critical conversations. Expanding on the critical paradigms of the past and bringing to bear some of the latest developments in lit...
Scrappy Bits Appliqué
Go beyond basic scrap quilts with this guide to turning fabric bits snips into striking modern art quilts—featuring 8 quick and easy projects. In Scrappy Bits Applique, fabric designer and quilt artist Shannon Brinkley shares her secrets to putting sewing room scraps to use. With her easy stitching and collage techniques, she shows how simplicity can produce dramatic results. Shannon’s “scrappy” approach to quilting uses a fast raw-edged technique. With step-by-step instructions, she teaches you how to intuitively choose, cut, and sew bits of fabric to create a collage of unique images and textures. Included are eight engaging quilt projects to try out your new skills.
Good-Bye Heathcliff
Virginal Heroines, young and naive but seething with passion, change sardonic heroes into loving, monogamous husbands. Such romance novel characters and themes have been transformed by the women's movement, argues history professor Frenier in this convincing, well-researched study. Frenier surveys earlier feminist studies of women's romances and traces the evolution of the romance industry, focusing on the competition between Harlequin's more traditional British writers and the American authors of Silhouette. She finds undertones of rape and violence in late 1970s novels giving way to more explicit and equal sexuality, to gentler, more nurturing heroes matched with stronger, more experienced...
An Imperialist Love Story
A curious figure stalks the pages of a distinct subset of mass-market romance novels, aptly called “desert romances.” Animalistic yet sensitive, dark and attractive, the desert prince or sheikh emanates manliness and raw, sexual power. In the years since September 11, 2001, the sheikh character has steadily risen in popularity in romance novels, even while depictions of Arab masculinity as backward and violent in nature have dominated the cultural landscape. An Imperialist Love Story contributes to the broader conversation about the legacy of orientalist representations of Arabs in Western popular culture. Combining close readings of novels, discursive analysis of blogs and forums, and i...
A Natural History of the Romance Novel
The romance novel has the strange distinction of being the most popular but least respected of literary genres. While it remains consistently dominant in bookstores and on best-seller lists, it is also widely dismissed by the critical community. Scholars have alleged that romance novels help create subservient readers, who are largely women, by confining heroines to stories that ignore issues other than love and marriage. Pamela Regis argues that such critical studies fail to take into consideration the personal choice of readers, offer any true definition of the romance novel, or discuss the nature and scope of the genre. Presenting the counterclaim that the romance novel does not enslave w...
Romance Fiction and American Culture
Since the 1970s, romance novels have surpassed all other genres in terms of popularity in the United States, accounting for half of all mass market paperbacks sold and driving the digital publishing revolution. Romance Fiction and American Culture brings together scholars from the humanities, social sciences, and publishing to explore American romance fiction from the late eighteenth to the early twenty-first century. Essays on interracial, inspirational, and LGBTQ romance attend to the diversity of the genre, while new areas of inquiry are suggested in contextual and interdisciplinary examinations of romance authorship, readership, and publishing history, of pleasure and respectability in African American romance fiction, and of the dynamic tension between the genre and second wave feminism. As it situates romance fiction among other instances of American love culture, from Civil War diaries to Bob Dylan’s Blood on the Tracks, Romance Fiction and American Culture confirms the complexity and enduring importance of this most contested of genres.
Michigan in the Novel, 1816-1996
Michigan in the Novel records 1,735 novels published from 1816 through 1996 that are set wholly or partially in the state of Michigan. Consulting literally thousands of novels and visiting scores of libraries, Robert Beasecker spent more than twenty years researching this exhaustive bibliography. Works included are mainstream fiction, mystery and romance novels, juveniles, religious tracts, dime novels, and other marginal or popular genre literature. Omitted are short stories, poetry, drama, screenplays and pageants, and serially published novels with no subsequent separate publication. Through its six indexes, Michigan in the Novel provides literary and cultural access to Michigan novels, classifying novels by to title, series, setting, chronology, subject and genre, and Michigan imprints. Intended to serve as a guide for students, teachers, scholars, and readers to explore Michigan's vast, varied, and rich literary landscape, Michigan in the Novel is the most expansive compilation of its kind.
