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The Last Romantic
Wheelock's (1886-1978) memoir is based on tape recorded interviews conducted in 1967 for the Oral History Research Office at Columbia U., with Wheelock's stipulation that they not be used until January 1, 1990. In addition to his writing of poetry as a schoolboy, and a Harvard apprenticeship, the text covers his career as a poet, his friendships with a wide range of literary figures, and the 46 years spent at Charles Scribner's Sons as an editor who assisted and then succeeded Maxwell Perkins as editor in chief. Bruccoli (English, U. of S. Carolina) is considered the leading authority on the House of Scribner and its authors. Annotation copyrighted by Book News, Inc., Portland, OR
Scribners
Scribners tells the inside story of five generations—over 150 years—at the legendary publishing house of Charles Scribner's Sons, beginning with its founding in an unused chapel in downtown New York, continuing through its golden era on Fifth Avenue above the famous landmark bookstore and down to the present day. The author, the fifth of the Charleses to work at that house of celebrated authors, provides here an inside view—"between the covers" of illustrious and notorious books—of the family members, editors, and authors of this colorful literary history. Among the writers who illuminate this story, we find in the early years Robert Louis Stevenson, Rudyard Kipling, Henry James, Edi...
Complete Poems
Ernest Hemingway never wished to be widely known as a poet. He concentrated on writing short stories and novels, for which he won the Nobel Prize in 1956. But his poetry deserves close attention, if only because it is so revealing. Through verse he expressed anger and disgust—at Dorothy Parker and Edmund Wilson, among others. He parodied the poems and sensibilities of Rudyard Kipling, Joyce Kilmer, Robert Graves, Robert Louis Stevenson, and Gertrude Stein. He recast parts of poems by the likes of Ezra Pound and T. S. Eliot, giving them his own twist. And he invested these poems with the preoccupations of his novels: sex and desire, battle and aftermath, cats, gin, and bullfights. Nowhere i...
Male Armor
"In Male Armor, Jon Robert Adams examines the ways in which novels, plays, and films about America's late-twentieth-century wars reflect altering perceptions of masculinity in the culture at large. He highlights the gap between the cultural conception of masculinity and the individual experience of it, and exposes the myth of war as an experience that verifies manhood." "Drawing on a wide range of work, from the war novels of Ernest Hemingway, Norman Mailer, James Jones, and Joseph Heller to David Rabe's play Streamers and Anthony Swofford's Jarhead, Adams examines the evolving image of the soldier from World War I to Operation Desert Storm. In discussing these changing perceptions of masculinity, he reveals how works about war in the late twentieth century attempt to eradicate inconsistencies among American civilian conceptions of war, the military's expectations of the soldier, and the soldier's experience of combat. Adams argues that these inconsistencies are largely responsible not only for continuing support of the war enterprise but also for the soldiers' difficulty in reintegration to civilian society upon their return."--BOOK JACKET.
The Critical Reception of Edith Wharton
Ironically, now that she is becoming recognized as a Modernist by some, and as perhaps the greatest American writer of her generation, the criticism often obfuscates more than it reveals. The reasons reside in critics' loyalties to various theoretical approaches, the objectivity of which are often compromised by political hopes. This volume not only traces and analyzes the development of Whartonian literary criticism in its historical and political contexts, but also allows Edith Wharton, herself a literary critic, to respond to various concepts through the author's deductions and extrapolations from Wharton's own words.
Courage to Change
Carefully researched and written with extraordinary vitality, this biography of Reinhold Niebuhr reveals the man in all of his humanity, warmth and charm, as well as his intellectual prowess as a theological giant. The author, who knew Niebuhr well, chronicles his career and contributions to ethics, theology and political thought. This classic is of enduring value to students of ethics, philosophy and theology and political thought and to anyone anxious to grasp the essence of this foremost philosophical theologian of the 20th century. Originally published by Charles Scribner's Sons in 1961.
Hemingway and His Conspirators
Based on revealing letters and other documents from archives, Hemingway and His Conspirators has the dramatic personae of a Hollywood production--with a cast starring not only Hemingway and Perkins, but F. Scott Fitzgerald, Helen Hayes, David O. Selznick, and Gary Cooper. Set in an endlessly fascinating age, the 1920s. It tells a backstage story of the tangle of literature, publishing, and motion pictures in the formative years of a time when the possibilities of a new mass audience challenged and changed culture and literature forever.
Critical Companion to F. Scott Fitzgerald
The Great Gatsby and its criticism of American society during the 1920s, F. Scott Fitzgerald claimed the distinction of writing what many consider to be the "great American novel." Critical Companion to F.
Sociocultural Psychology
Presents applications of activity theory; in honour of Sylvia Scribner.
Scribners Monthly
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