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Famous Faces
Chris Abani. Barry Manilow. Wynton Marsalis. Jerry Quickley. Jody Kuykendall. The already famous and the one on her way up. Articles in the newspaper, paparazzi bait, sought out for the alumni newsletter, for international halls of fame, for Pulitzers, Emmys, Grammys; recipients of some, winners of many. But what of the poet, toiling away in her room, alone, who watches, understands, yet never feels a part of their world? What of the poet who watches their performances, sees beneath their words, their music, imagines the pain that created the art, uses her understanding to convince herself to, yes, live one more day, but that one day, that particular day, makes another choice?
Steven
Dr. Niama Williams' Steven is a psychological triumph. This long overdue Song of Survival, punctuated by the cataclysmic overtures of epiphany, minimalist agreement, and happenstance, is proof that the arrival of the truth does not always come via verbal messenger. From the beginning with "Schindler's List," Dr. Williams asks the film's director to explain, "robbing a people of their origins." She poignantly points out that Middle Passage descendants live without a traceable identity and unlike the majority, ."cannot fabricate what was deliberately stamped out of existence." Dr. Williams' text provides a tracing of the indelible markings each of us makes on the other, and on the collective consciousness of American society.
Black Poetic Feminism: The Imagination of Toi Derricotte
Sexual abuse happens. Domestic violence happens. We know it happens. We have child protective services. We watch Law and Order: SVU. We are surrounded by sex in our media, and we are surrounded by sexual violence in our media. Yet I have turned to the work of Toi Derricotte because we are not surrounded by sexual violence in our literary criticism, because we are not discussing sexual violence in our college classrooms, because the work of a poet like Derricotte, a poet who reveals the long, difficult trajectory of the emergence of voice, of the emergence of a healthy, vibrant, bisexual self, is largely ignored by those of us in the academy who contribute articles to that grand behemoth otherwise known as the Modern Language Association's International Bibliography. The Black poetic feminism of Toi Derricotte works on this silence in a variety of ways. Read on, and perhaps learn a great deal from her journey.
DETECTIVE FICTION
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Detective Fiction: the Novel
Is the drop-dead gorgeous psychiatrist in love or is some other far more nefarious plot afoot? The Journey pulls us in and leaves us wondering.Told she was schizophrenic at 19, it takes a trip to an unexpected homeland for the real truth to sink in: she is not crazy, but psychic.Raised by a degreed registered nurse and thus devoted to Western medicine, the hardest person to convince is herself, but by the end of Detective Fiction, the game between her self, her spiritual helpers, and the doppelganger who refuses to leave her alone becomes cold, calculating, and a clear risk to her survival.
Sex, Blood, & the Mountains
She is on the run, and doesn't know it. She is running to a freedom she has always wanted, but does not know how to claim. Her inner wildness is finally surfacing, but she has limited time to explore it; is on unsure feet as it rears its head and surveys the territory. She only knows that she must have it, this freedom, again and again and again.
Joseph's Story
Bravely she risked telling him of her feelings, though she had never confronted a man with her ardor before. He stunned her by revealing the passion he had been working so hard to hide. Now they are faced with the prospect of living together, aligning dual inheritances of domestic violence as children as well as sexual abuse. Will their pasts dive-bomb their relationship or will their love overcome all resistance? Will their love survive his fear of commitment and her resemblance to the grandmother who tortured him as a boy?
THE JOURNEY
What does it mean to be young, Black, female, intelligent, gifted with second sight, on your way to a Ph.D. and in love for the first time? The Journey presents us with exactly this young woman. The pivotal question becomes is she sane and he deceitful, or has she lost her mind? The answer is both. Not an easy, cohesive ride, the narrative thread of an African American female mystic falling deeply in love with a white psychiatrist is complicated by a gently suggested history of abuse, graduate school, and the subtle racism of still largely white academia. The Journey strokes the American psyche from within a very personal story of love and vision: she is in love; he is not, but he leads her in a merry dance, never quite revealing what emotion lies behind his warm brown eyes.
The Precursors
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