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The Discerning Narrator
  • Language: en
  • Pages: 126

The Discerning Narrator

The Discerning Narrator sheds new light on Joseph Conrad’s controversial critique of modernity and modernization by reading his work through an Aristotelian lens. The book proposes that we need Aristotle – a key figure in Conrad’s education – to recognize the profound significance of Conrad’s artistic vision. Offering Aristotelian analyses of Conrad’s letters, essays, and four works of fiction, Alexia Hannis illuminates the philosophical roots and literary implications of Conrad’s critique of modernity. Hannis turns to Aristotle’s ethical formulations to trace what she calls "the discerning narrator" in Conrad’s oeuvre: a compassionate yet sceptical guide to appraising char...

The Female Romantics
  • Language: en
  • Pages: 263

The Female Romantics

  • Type: Book
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  • Published: 2012-09-10
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  • Publisher: Routledge

Awarded the Elma Dangerfield Prize by the International Byron Society in 2013 The nineteenth century is sometimes seen as a lacuna between two literary periods. In terms of women’s writing, however, the era between the death of Mary Wollstonecraft and the 1860s feminist movement produced a coherent body of major works, impelled by an ongoing dialogue between Enlightenment ‘feminism’ and late Romanticism. This study focuses on the dynamic interaction between Lord Byron and Madame de Staël, Lady Morgan, Mary Shelley and Jane Austen, challenging previous critics’ segregation of the male Romantic writers from their female peers. The Romantic movement in general unleashed the creative am...

Measuring the Sadness
  • Language: en
  • Pages: 228

Measuring the Sadness

  • Type: Book
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  • Published: 2009
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  • Publisher: Peter Lang

Originally presented as the author's thesis (doctoral)--Fernuniversiteat Hagen, 2008.

Conrad’s Drama
  • Language: en
  • Pages: 515

Conrad’s Drama

  • Type: Book
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  • Published: 2019-08-26
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  • Publisher: BRILL

Conrad’s Drama: Contemporary Reviews and Observations collects both book reviews and performance reviews of Conrad’s three plays: The Secret Agent, One Day More, and Laughing Anne. These reviews and observations show how Conrad’s plays were received by his contemporaries. More than this, however, Conrad’s Drama reveals the larger conversations surrounding his plays: the state of British drama in the early 20th century, the role the drama critic has in a play’s reception, and the difficulty most fiction writers experience in trying to write for the stage. No other reference work exists for those studying Conrad’s plays, and this volume should prove to be an indispensable reference work for those working on this topic. Conrad’s Drama received an Honorable Mention in the Joseph Conrad Society of America’s Adam Gillon Book Prize in Conrad Studies for books published 2018-2020.

Rethinking Postmodern Subjectivity
  • Language: en
  • Pages: 200

Rethinking Postmodern Subjectivity

  • Type: Book
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  • Published: 2009
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  • Publisher: Peter Lang

What is postmodern literary subjectivity? How to talk about it without falling in the trap of negative hyper-essentialism or being seduced by exuberant lit speak? One way out of this dilemma, as this book suggests, is via a redefinition of the concept in the context of Emmanuel Levinas and his radical ethics. By defining subjectivity as an ethically charged act of language, Levinas provides a fresh perspective on the often trivialized aspects of postmodern poetics such as referentiality and affect construction strategies. The foregrounding of the ethical dimension of those poetic elements has far-reaching consequences for how we read postmodern texts and understand postmodernism in general. Thus, to prove the benefits of the Levinasian approach, the author applies it to the work of the canonical American postmodernist, Donald Barthelme, and explains the distinctly ethical character of his apparently surfictional experiments.

Byron and the Discourses of History
  • Language: en
  • Pages: 203

Byron and the Discourses of History

  • Type: Book
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  • Published: 2016-04-15
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  • Publisher: Routledge

In her study of the relationship between Byron’s lifelong interest in historical matters and the development of history as a discipline, Carla Pomarè focuses on drama (the Venetian plays, The Deformed Transformed), verse narrative (The Siege of Corinth, Mazeppa) and dramatic monologue (The Prophecy of Dante), calling attention to their interaction with historiographical and pseudo-historiographical texts ranging from monographs to dictionaries, collections of apophthegms, autobiographies and prophecies. This variety of discourses, Pomarè suggests, not only served as a source of the historical information Byron cherished, providing the subject matter for countless episodes in his works, b...

Under Conrad's Eyes
  • Language: en
  • Pages: 271

Under Conrad's Eyes

An innovative account of Joseph Conrad's engagement with nineteenth-century thought.

Conrad's Decentered Fiction
  • Language: en
  • Pages: 237

Conrad's Decentered Fiction

Brings the vibrant details of Conrad's writing to the forefront for study and analyzes newly-discovered artworks, maps, and manuscript pages.

Secret Sharers
  • Language: en
  • Pages: 280

Secret Sharers

  • Type: Book
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  • Published: 2006
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  • Publisher: Peter Lang

This is the first book-length account of Joseph Conrad's reception in Germany, a virtually unresearched area of Conrad studies. It demonstrates that Conrad was read and used by his German readers as a cosmopolitan literary and moral voice against the prevailing nationalism of Germany in the 'dark times' of the 1930s and 1940s, when their own voices were being silenced. Challenging the longstanding assumption that Germany remained largely indifferent to his works, this book demonstrates that, particularly after the translation of the complete fiction commencing in the 1920s, Conrad's works achieved near cult status in Germany. On the basis of diaries and letters, contemporary reviews and essa...

Legacies of the Sublime
  • Language: en
  • Pages: 224

Legacies of the Sublime

Legacies of the Sublime offers a highly original, subtle and persuasive account of the aesthetics of the sublime in late nineteenth- and early twentieth-century literature, philosophy, and science. Christopher Kitson reveals the neglected history of how Kant's theory of the sublime in the Critique of Judgment cast a shadow over the next century and more of literature and thought. In each chapter, close readings weave together literary works with philosophical and scientific ones in order to clarify the complex dialogues between them. Through these readings, Kitson shows how the sublime survived well after the heyday of romanticism as a way of representing human freedom. This new context prod...