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It is a bizarre time we are navigating through. Have you ever seen anything like it? What happened and how did we get here? Allow me to shine a light up it. This is a collection of columns on the weirdest, funniest and most perverse events that have happened to us humans in the past two years of Trump, Brexit and the Poonado.
The third of John Abbott's essential guides to acting introduces young actors to the best performance techniques, old and new.
While trying to prove that he is good enough to on his high school's varsity basketball team, Nick must also deal with his parents' divorce and erratic behavior of a troubled classmate who lives across the street.
Improvisation is recognized as a key ingredient in drama teaching.
Family Support introduces and explores the state of the art in preventative social work with children and young people. Drawing on contemporary thinking and research, the book aims to make a contribution to current debates about how we can best support families in need. Underpinning the book is an analysis of how family support is changing, having moved from ‘prevention’ through to contemporary debates about ‘family support’, ‘early intervention’ and ‘early help’. The authors draw on their own practice experiences to ensure the discussion remains highly relevant to everyday realities. The book consists of three parts: Part I examines the history and context of family support;...
E. C. Abbott was a cowboy in the great days of the 1870's and 1880's. He came up the trail to Montana from Texas with the long-horned herds which were to stock the northern ranges; he punched cows in Montana when there wasn't a fence in the territory; and he married a daughter of Granville Stuart, the famous early-day stockman and Montana pioneer. For more than fifty years he was known to cowmen from Texas to Alberta as "Teddy Blue." This is his story, as told to Helena Huntington Smith, who says that the book is "all Teddy Blue. My part was to keep out of the way and not mess it up by being literary.... Because the cowboy flourished in the middle of the Victorian age, which is certainly a f...
The primacy of words over images has deep roots in Western culture. But what if the two are inextricably linked, equal partners in meaning-making? Written and drawn entirely as comics, Unflattening is an experiment in visual thinking. Nick Sousanis defies conventional forms of scholarly discourse to offer readers both a stunning work of graphic art and a serious inquiry into the ways humans construct knowledge. Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, it uses the collage-like capacity of comics to show that perception is always an active process of incorporating and ree...
This was the greatest year of all time, a huge year, it was totally fantastic, everybody says so, I can tell you that. In the future, historians will look back and say: "Whaaaaaat!?", but we actually lived it. Here's what it looked like from where I was sitting.
From those electric moments of discovery and connection to the dark hours of isolation, we all seek community and resolution. But sometimes the things that connect us are the very things we need to escape. I Think We Are Alone was commissioned by Frantic Assembly as part of their twenty-fifth anniversary and premiered on a UK tour in 2020 as a co-production with Theatre Royal Plymouth and Curve, Leicester. The original production was co-directed by Kathy Burke and Frantic Assembly's Artistic Director Scott Graham.
Offers profiles of the popular comedy team, looks at their careers in vaudeville, radio, and film, shares several of their most famous routines, and includes the reminscences of those who worked with them.