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The Art of Love Poetry
The first study to offer an integral theory of love poetry, examining why it is that poetry, even more than other arts, is so consistently associated with romantic love.
Criticism of the Court and the Evil King in the Middle Ages
Examining literary narratives from the tenth through the fifteenth centuries, this book explores how writers used their craft to voice harsh criticism of the ruling class and unearths a deep distrust of kings and other authority figures during the Middle Ages.
It All Begins with the Kiss
Everyone likes to be kissed. Whenever Jesus graces us and gives us the kiss of friendship, we must respond. Do we give Him the kiss of gratitude or, like Judas, the deceitful kiss inspired by the seven deadly sins? Spencer F. Stopa (MA sacred theology, Katholieke Universiteit Leuven) is a retired psychiatric and rehab nurse. His hobbies include gardening and reflecting on the human condition through a Christian lens. He lives in Mesa, Arizona, with his wife of thirty-nine years. 120
Sacred and Profane in Chaucer and Late Medieval Literature
Literary depictions of the sacred and the secular from the Middle Ages are representative of the era's widely held cultural understandings related to religion and the nature of lived experience. Using late Medieval English literature, including some of Chaucer's writings, these essays do not try to define a secular realm distinct and separate from the divine or religious, but instead analyze intersections of the sacred and the profane, suggesting that these two categories are mutually constitutive rather than antithetical. With essays by former students of John V. Fleming, the collection pays tribute to the Princeton University professor emeritus through wide-ranging scholarship and literary criticism. Including reflections on depictions of Bathsheba, Troilus and Criseyde, the Legend of Good Women, Chaucer's Pardoner, and Margery Kempe, these essays focus on literature while ranging into history, philosophy, and the visual arts. Taken together, the work suggests that the domain of the sacred, as perceived in the Middle Ages, can variously be seen as having a hierarchical or a complementary relationship to the things of this world.
Endymion
John Lyly was undisputed master of the private theatre stage in the 1570s and 1580s. Lyly’s Endymion (1588) represents his famous Euphuistic style at its best and also gives us vintage Lyly as courtier and dramatist. In this love comedy, Lyly retells an ancient legend of the prolonged sleep of the man with whom the moon (Cynthia) fell in love. The fable is piquantly relevant to Queen Elizabeth and her exasperated if adoring courtiers. This edition makes a new and compelling argument for the relevance of Endymion to the threat of the Spanish Armada invasion of 1588 and to the role of the Earl of Oxford in England’s politics of that troubled decade. Full commentary is provided on every aspect of the play, including its philosophical allegory about the relation of the moon to mortal life on earth.
Revival Preachers and Politics in Thirteenth Century Italy
Recent studies of medieval preaching have tended to focus on sermon texts. This is the first scholarly study in English of preaching and its social context in thirteenth-century Italy. Augustine Thompson O.P., both an academic and a preacher, reconstructs the "Great Devotion" of 1233 and analyzes its devotional, social, political, and legal elements. He shows how the preachers of this revival crafted an image of divine authority that supported their intervention in factional disputes and facilitated their arbitration in social and political conflicts. They exploited forms from revived Roman Law and developing city statutes in order to create flexible procedures for mediation, and ultimately were able to revise communal ordinances to enshrine their message of social harmony. This is a work of original scholarship, carefully researched and lucidly written, which is a valuable contribution to our understanding of religion and politics in the middle ages.
Lancelot and Guinevere
Beginning with an introduction that examines the portrayal of the characters of Lancelot and Guinevere from their origins to the present day, this collection of 16 essays-five of which appear here for the first time-puts particular emphasis on the appearance of the two characters in medieval and modern literature. Besides several studies exploring feminist concerns, the volume features articles on the representation of the lovers in medieval manuscript illuminations (18 plates focus on scenes of their first kiss and the consummation of the adultery), in film, and in other visual arts. A 200-item bibliography completes the volume.
The Kiss in History
This book arose from a conference, supported by the Royal Historical Society, which took place at Institute of Historical Research, University of London. The event was held under the auspices of the Bedford Center for the History of Women, Royal Holloway, University of London.
The Body and the Soul in Medieval Literature
The theme of the body-and-soul relationship in medieval texts and in modern reworkings of medieval matter is explored in the articles here, specifically the representation of the body in romance; the relevance of bawdy tales to the cultural experience of authors and readers in the middle ages; the function of despair, or melancholy, in medieval and Renaissance literature; and the political significance of late medieval representations of `bodies' in the chroniclers' accounts of the Rising and in Gower's poems. Two articles are devoted to modern retellings of medieval themes: John Foxe's 'Acts and Monuments', seen in relation to the traditional 'acta martyrum', and the medieval revival in Tory Britain exemplified in Douglas Oliver's 'The Infant and the Pearl'. Contributors: PAMELA JOSEPH BENSON, NIGEL S. THOMPSON, JON WHITMAN, JEROME MANDEL, BARBARA NOLAN, YASUNARI TAKADA, YVETTE MARCHAND, ROBERT F. YEAGER, JOERG O. FICHTE, JOHN KERRIGAN
Middle English Mouths
First full-length study of the mouth's centrality to discourses of physical, ethical and spiritual 'good' in Middle English literature.
