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The Russian Century is the most comprehensive and accessible collection of readings devoted to Russian culture and civilization. The fascinating first-person accounts paint a vivid picture of the Russian people through the turbulent years of the collapse of the Soviet Union. This book allows readers to see Russia through the private lives of people who come from diverse backgrounds, various educational and socio-economic experiences, and a broad geographic spectrum. Diary entries, personal sketches, memoirs, and letters tell these stories in an intimate and authentic voice of immediate experience rather than the distant, general flow of history. Translated into English for the first time, pe...
Orthodox Sisters explores the relationship between women, religion, and social, cultural, and economic change between 1700 and 1935 through the experiences of Orthodox convents in Nizhnii Novgorod diocese. Focusing primarily on the Convent of the Exaltation of the Cross, William G. Wagner places the women's experiences in the broader context of developments in female monasticism and religious life in Russia, as well as in Europe and North America over the same period. This is the first comprehensive study that follows a Russian convent through all the stages of its life—from its origins in the eighteenth century to its flourishing at the turn of the twentieth century, to its resistance to ...
The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.
Photography possesses a powerful ability to bear witness, aid remembrance, shape, and even alter recollection. In Beyond Memory: Soviet Nonconformist Photography and Photo-Related Works of Art, the general editor, Diane Neumaier, and twenty-three contributors offer a rigorous examination of the medium's role in late Soviet unofficial art. Focusing on the period between the mid-1950s and the late 1980s, they explore artists' unusually inventive and resourceful uses of photography within a highly developed Soviet dissident culture. During this time, lack of high-quality photographic materials, complimented by tremendous creative impulses, prompted artists to explore experimental photo-processe...
Known for his pioneering work on Russia's early exploits in Australia and the Pacific, historian Glynn Barratt again breaks new ground in presenting the first comprehensive study of Russian naval, social, mercantile, and scientific enterprise in New South Wales between 1807 and 1835.
This book is an update of the first BACC assessment, published in 2008. It offers new and updated scientific findings in regional climate research for the Baltic Sea basin. These include climate changes since the last glaciation (approx. 12,000 years ago), changes in the recent past (the last 200 years), climate projections up until 2100 using state-of-the-art regional climate models and an assessment of climate-change impacts on terrestrial, freshwater and marine ecosystems. There are dedicated new chapters on sea-level rise, coastal erosion and impacts on urban areas. A new set of chapters deals with possible causes of regional climate change along with the global effects of increased g...
The history of contemporary art in Russia, from socialist realism to the post-Soviet alternative art scene. In The Museological Unconscious, Victor Tupitsyn views the history of Russian contemporary art through a distinctly Russian lens, a "communal optic" that registers the influence of such characteristically Russian phenomena as communal living, communal perception, and communal speech practices. This way of looking at the subject allows him to gather together a range of artists and art movements--from socialist realism to its "dangerous supplement," sots art, and from alternative photography to feminism--as if they were tenants in a large Moscow apartment. Describing the notion of "communal optics," Tupitsyn argues that socialist realism does not work without communal perception--which, as he notes, does not easily fit into crates when paintings travel out of Russia for exhibition in Kassel or New York. Russian artists, critics, and art historians, having lived for decades in a society that ignored or suppressed avant-garde art, have compensated, Tupitsyn claims, by developing a "museological unconscious"--the "museification" of the inner world and the collective psyche.
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Lake Ladoga is the largest lake in Europe and, with its surface of 17,891 km2 and volume of 837 km3, it ranks among the top fifteen of the world's freshwater bodies. The ecological condition of Lake Ladoga is of concern to several million people living in its surroundings. There is evidence of water quality degradation and gradual eutrophication of the lake during the past decades; on the other hand, pollution control measures have improved the situation in many of the most polluted sites near industrial effluent sources. The first international Lake Ladoga Symposium was held in St. Petersburg on 22-26 November, 1993. The symposium was attended by 160 scientists, and about half of the papers...