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This volume investigates the contemporary fauna that inhabit the Cuatro Ciénegas Basin. Divided into 15 chapters, it addresses and describes their diversity, taxonomic and biogeogaphic affinities, and ecological characteristics. The Cuatro Ciénegas Valley is a unique oasis in the south-central region of the State of Coahuila, part of the Sonoran Desert, in Mexico. Several clues, specially derived from the study of the microbiota, suggest a very ancient origin of the valley and its permanence through time. This condition had promoted a high level of endemism and led to unique interactions between the resident species.
"This book is a comprehensive and in-depth reference to the most recent developments in the field covering theoretical developments, techniques, technologies, among others"--Provided by publisher.
Mozart's orchestral-inspired Sonata in D Major, K. 311 contains elaborate pianistic treatment and an exciting sonata-rondo finale with a cadenza worthy of one of Mozart's concertos. The flashy third movement is full of many contrasts involving dynamics, mood and texture. Throughout the sonata, the left hand becomes a true partner in all aspects of the composition, and thematic material is spread over different registers of the keyboard.
A pioneering book highlighting the dynamic environmental dimensions of towns and villages and spatial connections with surrounding land.
The most comprehensive overview available, this Handbook is an essential guide to sociolinguistics today. Reflecting the breadth of research in the field, it surveys a range of topics and approaches in the study of language variation and use in society. As well as linguistic perspectives, the handbook includes insights from anthropology, social psychology, the study of discourse and power, conversation analysis, theories of style and styling, language contact and applied sociolinguistics. Language practices seem to have reached new levels since the communications revolution of the late twentieth century. At the same time face-to-face communication is still the main force of language identity, even if social and peer networks of the traditional face-to-face nature are facing stiff competition of the Facebook-to-Facebook sort. The most authoritative guide to the state of the field, this handbook shows that sociolinguistics provides us with the best tools for understanding our unfolding evolution as social beings.
"This publication accompanies the exhibition Revealing the African Presence in Renaissance Europe, held at the Walters Art Museum from October 14, 2012, to January 21, 2013, and at the Princeton University Art Museum from February 16 to June 9, 2013."
Design for London was a unique experiment in urban planning, design and strategic thinking. Set up in 2006 by Mayor Ken Livingstone and his Architectural Advisor, Richard Rogers, the brief for the team was ‘to think about London, what made London unique and how it could be made better’. Sitting within London government but outside its formal statutory responsibilities, it was given freedom to question and challenge. The team had no power or money, but it did have the licence to operate without the usual constraints of government. With introductions from Ken Livingstone and Richard Rogers, Design for London covers the tumultuous and heady period of the first decade of this century when London was a test bed for new ideas. It outlines how key projects such as the London Olympics, public space programmes, high street regeneration and greening programmes were managed, critically examines the lessons that might be learnt in strategic urban design and considers how a design agenda for London could be developed in the future.
The paintings of Georgia Gardner Gray celebrate the gender values of bohemia New York-born, Berlin-based artist Georgia Gardner Gray (born 1988) populates her paintings with punks, groupies or street musicians, overturning hierarchies between the sexes. This publication collects her paintings and performance scripts.
Si Dieu existe, comment peut-il supporter la souffrance des enfants ? Bertrand Vergely part de cette question cruciale, que nous nous posons tous lorsque la souffrance et le mal nous touchent de près, pour réfléchir et méditer sur ce silence de Dieu. Si Dieu existe, comment peut-Il tolérer le mal régnant sur terre ? Ce cri d'Ivan Karamazov, le héros de Dostoïevski, est celui d'Albert Camus. C'est aussi le nôtre parfois. S'il nous semble juste qu'un coupable paie et souffre pour ses propres fautes, que dire de la souffrance de l'innocent ? Quelle faute a-t-il commise ? Quelle faute doit-il payer ? Or certaines " sagesses " n'hésitent pas à justifier cette souffrance et à prôner l...