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In the last fifty years Irish poets have produced some of the most exciting poetry in contemporary literature, writing about love and sexuality, violence and history, country and city. This book provides a unique introduction to major figures such as Seamus Heaney, but also introduces the reader to significant precursors like Louis MacNeice or Patrick Kavanagh, and vital contemporaries and successors: among others, Thomas Kinsella, Paul Muldoon and Nuala Ni Dhomhnaill. Readers will find discussions of Irish poetry from the traditional to the modernist, written in Irish as well as English, from both North and South. This Companion, the only book of its kind on the market, provides cultural and historical background to contemporary Irish poetry in the contexts of modern Ireland but also in the broad currents of modern world literature. It includes a chronology and guide to further reading and will prove invaluable to students and teachers alike.
Clean technology does not just aim to dilute or detoxify industrial waste. It aims to eliminate it by re-engineering the entire production cycle. As industry is constrained by regulations on the one hand and consumer pressure on the other, energy-efficient, resource-efficient and pollution-free production becomes imperative. It will be the next stage of industrial development. Using extensive empirical analysis of a range of different industrial sectors, this book shows how cleaner technology can be implemented, above all by the companies themselves. It looks at regulatory initiatives and focuses on how firms themselves can introduce the new technologies, systems and polices required.
'A sweet winter light blushed as Pablo Picasso walked his dog under the cypress trees and the bell of the old chapel guessed at the hour. It was Christmas Eve.' Poet Laureate Carol Ann Duffy's new Christmas poem, Pablo Picasso's Noel follows the famous painter as he moves through a small town in the south of France on Christmas Eve, drawing the residents and the festive scenes he encounters. Accompanied by his small dog, he brings delight as he sketches wherever he goes. A wonderful, moving new poem capturing both the magic of Christmas and artistic inspiration. Beautifully illustrated and produced in a gorgeous small format, this is an irresistible festive gift and Christmas stocking must-have for all book lovers.
Ged Duffy might be the unluckiest man in Manchester music. He could have managed New Order; he could have been the bass player in The Cult; he could have seen his band, Stockholm Monsters, take the mantle of the Happy Mondays and become the breakout scally-band on the coolest record label in the world... but of course none of this happened. Told with wit and a photographic memory for gigs and dates, Ged recalls his years as a stagehand at the Russell Club and later The Hacienda, touring with New Order and then turning down the chance to tour America with them, leaving Stockholm Monsters when they were about to hit it big, life in the colony of artists, oddballs and dropouts in Hulme and how he managed to successfully avoid fame and fortune.
This book represents an attempt to tackle questions related to fragmented and often conflicting ideologies within Irish studies. Although a collective outcome, with contributions in English and Spanish, its unifying concern has been the appliance of postcolonial and gender perspectives to the analysis of Irish literature (prose, drama and verse) and cinema, as well as to the aesthetic production of both the Republic of Ireland and Northern Ireland. Along the volume, while some authors have chosen to delve into the broad theoretical debate concerning the position of Irish studies within postcolonial and feminist theories, others offer detailed examinations of specific literary pieces and authors that fit in this panorama. All in all, the chapters are wide and diverse enough to trace a spatial and temporal map of the evolution of these paradigms within contemporary Irish studies, North and South of the border.
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"With her husband, Ebenezer, now "doornail dead," the coldest Christmas Eve on record finds Mrs. Scrooge outside the supermarket, protesting consumerism and waste. "Spoilsport!" shout the passersby as they load up their shopping carts with Christmas goodies. Just as Ebenezer did, Mrs. Scrooge keeps to her frugal ways ... but in the present economy, with loads of meaningless material goods bought on credit, maybe Mrs. Scrooge has the right idea." "That night, alone in her bed with Catchit the cat beside her, Mrs. Scrooge is visited by the Ghosts of Christmas Past, Present, and Yet to Come. As each in succession takes her by the hand and sweeps through the scenes of her life, Mrs. Scrooge learns not only what the "Christmas Spirit" really means, but the nature of the real gifts we give and receive." --Book Jacket.
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Portraits of writers taken in Kennys Bookshop, Galway.