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Heartburn
40TH ANNIVERSARY EDITION, WITH A FOREWORD BY STANLEY TUCCI 'I have bought more copies of this book to give to people, in a frenzy of enthusiasm, than any other . . . Heartburn is the perfect, bittersweet, sobbingly funny, all-too-true confessional novel' NIGELLA LAWSON 'I kept a copy of Nora Ephron's Heartburn next to me as a reminder of how to be funny and truthful, and all I ended up doing was ignoring my writing and rereading Heartburn' AMY POEHLER Seven months into her pregnancy, Rachel discovers that her husband is in love with another woman. The fact that this woman has a 'neck as long as an arm and a nose as long as a thumb' is no consolation. Food sometimes is, though, since Rachel i...
The Most of Nora Ephron
A NEW, REVISED EDITION OF THE ULTIMATE NORA EPHRON COLLECTION, PACKED WITH WIT, WISDOM AND COMFORT, WITH AN INTRODUCTION FROM CANDICE CARTY-WILLIAMS 'The perfect introduction to the iconic writer' STYLIST INCLUDING: * Nora's much-loved essays on everything from friendship to feminism to journalism * Extracts from her bestselling novel Heartburn * Scenes from her hilarious screenplay for When Harry Met Sally * Unparalleled advice about friends, lovers, divorces, desserts and black turtleneck sweaters 'It's got a little bit of everything, from witty essays on feminism, beauty, and ageing to profiles of empowering female figures' ELLE *PRAISE FOR NORA EPHRON* 'So bold and so vulnerable at the same time. I don't know how she did it' PHOEBE WALLER-BRIDGE 'Nora's exacting, precise, didactic, tried-and-tested, sophisticated-woman-wearing-all-black wisdom is a comfort and a relief' DOLLY ALDERTON 'Nora Ephron is the funniest, cleverest, wisest friend you could have' NIGELLA LAWSON 'I am only the one of millions of women who will miss Nora's voice' LENA DUNHAM
The Most of Nora Ephron
Nora Ephron's brilliantly funny writing paved the way for female wits like Lena Dunham and Tina Fey. Here is a comprehensive anthology of Nora Ephron' writings on journalism, feminism, and being a woman; on the importance of food (including of course her favourite recipes), and on the bittersweet reality of growing old. As well as many personal pieces from the writer who always sounded like your ideal BFF, this collection includes extracts from her bestselling novel Heartburn, written in the wake of her devastating divorce from Carl Bernstein, and from her hilarious screenplay for the movie When Harry Met Sally, as well as the complete text of her recent play Lucky Guy, published here for the first time.
Crazy Salad
The classic Crazy Salad, by screenwriting legend and novelist Nora Ephron, is an extremely funny, deceptively light look at a generation of women (and men) who helped shape the way we live now. In this distinctive, engaging, and simply hilarious view of a period of great upheaval in America, Ephron turns her keen eye and wonderful sense of humor to the media, politics, beauty products, and women's bodies. In the famous "A Few Words About Breasts," for example, she tells us: "If I had had them, I would have been a completely different person. I honestly believe that." Ephron brings her sharp pen to bear on the notable women of the time, and to a series of events ranging from Watergate to the Pillsbury Bake-Off. When it first appeared in 1975, Crazy Salad helped to illuminate a new American era--and helped us to laugh at our times and ourselves. This new edition will delight a fresh generation of readers.
Nora Ephron
Nora Ephron famously claimed that she wrote about every thought that ever crossed her mind, from her divorce from Carl Bernstein (Heartburn) to the size of her breasts ("A Few Words About Breasts"). She also wrote screenplays for three of the most successful contemporary romantic comedies--When Harry Met Sally (1989), Sleepless in Seattle (1993) and You've Got Mail (1998). Often considered mere light-hearted romantic comedies, her screenwriting has not been the subject of serious study. This book offers a sustained critical analysis of her work and life and demonstrates that Ephron is no lightweight. The complexity of her work is explored through the context of her childhood in a deeply dysfunctional family of writers.
Nora Ephron: The Last Interview
For fans of When Harry Met Sally and readers of I Feel Bad About My Neck (which is to say, almost everyone!) comes an indispensible collection of wit and wisdom from the late, great Nora Ephron A hilarious and revealing look at one of America's most beloved screenwriters. From the beginning of her career as a young journalist to her final interview—a warm, wise, heartbreaking reflection originally published in the Believer—this is a sparkling look at the life and work of a great talent.
I Remember Nothing
If there is any solace in growing older, it is that you will find yourself guffawing in hysterical recognition at the situations Nora Ephron describes, from the impossibility of trying to remember people's names at parties, to struggling with new technology.
Nora Ephron
Nora Ephron was one of the most popular, accomplished, and beloved writers in American journalism and film. Nora Ephron: A Biography is the first comprehensive portrait of the Manhattan-born girl who forged a path of her own, earning accolades and adoration from critics and fans alike. Author Kristin Marguerite Doidge explores the tremendous successes and disappointing failures Ephron sustained in her career as a popular essayist turned screenwriter turned film director. She redefined the modern rom-com genre with bestselling books such as Heartburn and hit movies including When Harry Met Sally, Sleepless in Seattle, and Julie & Julia. Doidge also examines the private life Ephron tried to ke...
I Remember Nothing and other reflections
'Memories, aphorisms and stern good advice from America's favourite naughty aunt' Independent on Sunday 'This book is as grown-up as a dirty martini' Sunday Times 'Sharp as a knife' Daily Express ___ In her final book, Nora Ephron reflects on life, growing older, and everything she will and won't miss. Filled with Nora's trademark wit, wisdom and warmth. * No one actually likes to admit they're old. The most they will cop to is that they're older. Or oldish. * Freedom of the press belongs to the man who owns one. * I have been forgetting things for years-at least since I was in my thirties. I know this because I wrote something about it at the time. I have proof. Of course, I can't remember exactly where I wrote about it, or when, but I could probably hunt it up if I had to. ___ Praise for Nora Ephron 'So bold and so vulnerable at the same time. I don't know how she did it' Phoebe Waller-Bridge 'Oh how I loved Nora Ephron' Nigella Lawson 'Funny, knowing and smart' India Knight 'Nora's exacting, precise, didactic, tried-and-tested, sophisticated-woman-wearing-all-black wisdom is a comfort and a relief' Dolly Alderton
