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Ernst Ludwig Kirchner 1880-1938
An introduction to the German Expressionist painter, graphic artist and sculptor who, at the turn of the 19th century, was Germany's most influential artist.
Olympism
Compilation of the most important documents and speeches by Pierre de Coubertin on Olympism and the Olympic Games.
Die Olympischen Kunstwettbewerbe 1912-1948
Die erstmalige Publikation aller Teilnehmer an den Kunstwettbewerben 1912-1948 inklusive viele ihrer Werke in den Kategorien Bildhauerei, Literatur, Musik, Malerei und Baukunst
The Olympic Games and Cultural Policy
This book explores how cultural policies are reflected in the design, management and promotion of the Olympic Games. Garcia examines the concept and evolution of cultural policies throughout the recent history of the Olympic Games and then specifically evaluates the cultural program of the Sydney 2000 Olympic Games. She argues that the cultural relevance of a major event is highly dependent on the consistency of the policy choices informing its cultural dimensions, and demonstrates how such events frequently fail to leave long-term cultural legacies, and are often unable to provide an experience that fully engages and represents the host community, due to their over-emphasis on an economic rather than a social and cultural agenda.
Fastest, Highest, Strongest
Fastest, Highest, Strongest presents a comprehensive challenge to the dominant orthodoxy concerning the use of performance-enhancing drugs in sport. Examining the political and economic transformation of the Olympic Movement during the twentieth century, the authors argue that the realities of modern sport require a serious reassessment of current policies, in particular the ban on the use of certain substances and practices. The book includes detailed discussion of: * The historical importance of World War II and the Cold War in the development of a high-performance culture in sport * The changing Olympic project: from amateurism to a fully professionalized approach * The changing meaning of "sport" * The role of sport science, technology and drugs in pursuing ever-better performance * The major ethical and philosophical arguments used to support the ban on performance-enhancing substances in sport. Fastest, Highest, Strongest is a profound critical examination of modern sport. Its straightforward style will appeal to under- and post-graduate students as well as scholars of sports ethics and history, policy makers and all those interested in the changing nature of sport.
Designing the Olympics
Designing the Olympics claims that the Olympic Games provide opportunities to reflect on the relationship between design, national identity, and citizenship. The "Olympic design milieu" fans out from the construction of the Olympic city and the creation of emblems, mascots, and ceremonies, to the consumption, interpretation, and appropriation of Olympic artifacts from their conception to their afterlife. Besides products that try to achieve consensus and induce civic pride, the "Olympic design milieu" also includes processes that oppose the Olympics and their enforcement. The book examines the graphic design program for Tokyo 1964, architecture and urban plans for Athens 2004, brand design f...
Monatshefte
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The Olympics: The Basics
The Olympics: The Basics is an accessible, contemporary introduction to the Olympic movement and Games. Chapters explain how the Olympics transcend sports, engaging us with a range of contemporary philosophical, social, cultural and political matters, including: peace development and diplomacy management and economics corruption, terror and activism the rise of human enhancement ethics and environmentalism. This book explores the controversy and the legacy of the Olympics, drawing attention to the deeper values of Olympism, as the Olympic movement’s most valuable intellectual property. This engaging, lively, and often challenging book, is essential reading for newcomers to Olympic studies and offers new insights for Olympic scholars.
Nietzsche and Literary Studies
Nietzsche and Literary Studies tackles the literary implications of Nietzsche's philosophy and the philosophical implications of his approaches to style and expression. The book offers a complete guide to Nietzsche's writings, which in turn draw on two and a half millennia of literary and philosophical history, reaching back to Heraclitus, Plato, and the Cynics and from there to Diderot, the Schlegels, Stendahl, and Stifter, and have inspired a further century of responses from literary writers and philosophers, from Proust, Gide, and Thomas Mann to Derrida and Sarah Kofman. Individual chapters cover aphorism, the novel form, dialogue and dialogism, metaphor, truth, lies, and self-creation. Contributions are written by scholars from a wide range of fields, including classical studies, literary theory, history of literature and philosophy (including Nietzsche studies), theology and religion, and ecology.
