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Music from the Heart
Music from the Heart follows Emile Benoit, a fiddler from French Newfoundland, through a rapidly changing musical milieu as he moves from a small rural community to international musical and folk festivals. Seeing himself as a representative of French Newfoundland, Benoit viewed his music as an expression of that identity. In Benoit's tunes one finds reference to the people, places, communities, roads, and natural landmarks that have framed his life. The compositions included represent a range of work that evokes his youthful experiences and follow his career as he leaves home, plays with other musicians, and presents his stories to audiences around the world. Quigley has based his study on years of observation of Benoit's compositional practices, his own experiences performing with Benoit, interviews, and analysis of the thoughts and conceptions of the artist himself.
Languages and Linguists
The volume contains the texts of interviews realized with three linguists: the late Andre-Georges Haudricourt (1911-1996), Henry M. Hoenigswald (born in 1915) and Robert H. Robins (born in 1921). The book has a twofold objective: on the one hand, its goal is to bring together a number of "inside" testimonies on fundamental issues in linguistics; on the other hand, it is intended to provide a personalized documentation which is particularly relevant for a historiography of linguistics that does not limit itself to published sources. The issues addressed in these interviews concern the status of linguistics (and more particularly the relationship between the study of languages and history), the fundamental aims of the study of language, and the scientific and humanitarian status of linguistics. The three interviews also shed light on the intellectual itinerary of the three linguists and on the developments which took place in the linguistic landscape during the past 65 years. The three interviews are supplemented with useful bibliographical notes. The preface informs about the state of the art in the "oral archiving" of linguistics.
From Memory to Imagination
The relatively recent "worship wars" over styles of worship — traditional, contemporary, or blended — have calmed down, and many churches have now reached decisions about which "worship style" defines them. At a more fundamental level, however, change has yet to begin. In From Memory to Imagination Randall Bradley argues that fallout from the worship wars needs to be cleaned up and that fundamental cultural changes — namely, the effects of postmodernism — call for new approaches to worship. Outlining imaginative ways for the church to move forward, this book is a must-read for church leaders and anyone interested in worship music.
Surviving Through the Days
"This unique and original book sets the standard for such volumes. I can't see anyone coming along for quite some time who would be able to supersede it or top it for quality and inclusiveness."—Brian Swann, editor of Coming to Light "It is a masterful treatment of oral literature…a wonderful combination of great verbal art and sound scholarship, carefully crafted so that the collection begins and ends with a powerful creation tale."—Leanne Hinton, author of Flutes of Fire "Since each of the contributing specialists has first-hand familiarity with the material, the translations are of unusual authenticity and the annotations are of unusual insightfulness. Luthin's own introductory sections are especially vivid and well-informed."—William Bright, author of A Coyote Reader
An Introduction to Chinese Culture through the Family
Uses the concept of family, both literally and metaphorically to provide an introduction to Chinese culture.
Cry for Luck
The "sobbing" vocal quality in many traditional songs of northwestern California Indian tribes inspired the title of Richard Keeling's comprehensive study. Little has been known about the music of aboriginal Californians, and Cry for Luck will be welcomed by those who see the interpretation of music as a key to understanding other aspects of Native American religion and culture. Among the Yurok, Hupa, and Karok peoples, medicine songs and spoken formulas were applied to a range of activities from hunting deer to curing an upset stomach or gaining power over an uninterested member of the opposite sex. Keeling inventories 216 specific forms of "medicine" and explains the cosmological beliefs o...
Practicing Applied Anthropology Across Discontinuous Social Fields
This book covers the author’s field experiences as an ethnographer in one country of Central America and an applied anthropologist in four US regions. A range of social fields are examined, which include: constructing a work experience table as a composite job resumé; correspondence with a maximum security prisoner for more than ten years; design features for multiple choice testing; farmworker sero-prevalence reports; health-seeking behavior among the Ngöbé (indigenous people in Central America); HIV/AIDS education in rural farm labor camps; Latinx naming practices for grocery stores and restaurants in agricultural areas; organizational capacity building assistance training; and teaching students in a community college and three secondary schools, among others. The book highlights the importance of incorporating ethnography in the completion of work tasks across a range of social fields, which represent diverse socio-cultural groups and immigrant populations.
West African Drumming and Dance in North American Universities
The first ethnomusicological study of the people who created a transnational connection in and through a world music culture
Folk Song Style and Culture
Song and dance style--viewed as nonverbal communications about culture--are here relatedto social structure and cultural history. Patterns of performance, theme, text and movement areanalyed in large samples of films an recordings from the whole range of human culture, accordingto the methods explained in this volume. Cantometrics, which means song as a measure of man,finds that traditions of singing trace the main historic distributions of human culture and thatspecific traits of performance are communications about identifiable aspects of society. Thepredictable and universal relations between expressive communication and social organiation,here established for the first time, open up the possibility of a scientific aesthetics, usefulto planners. Alan Lomax is Director, Cantometrics andChoreometrics Projects at Columbia University.
