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Hendricks Chapel is one of Syracuse University's most recognizable landmarks and a beloved campus institution, standing both literally and figuratively at the heart of its campus. The chapel has been the site of some of the university's most significant events, from antiwar protests in the sixties to the vigil of nearly 3,000 people held on September 11, 2001. Its efforts to foster intellectual, cultural, and spiritual growth within the campus community have drawn distinguished speakers from all fields: the painter Grant Wood; poets Carl Sandberg and Robert Frost; novelists Paul Gallico and Ayn Rand; the arctic explorer Viljhalmur Stefansson; politicians such as Franklin D. Roosevelt, Lyndon...
Aspiring writers often ask how they can break into the television writing business. Meyers believes that the answer can be found by asking why people become television writers and what makes them successful. Inside the TV Writer’s Room reveals these insights and much more. This volume, a collection of interviews with some of today’s top episodic writers arranged in a roundtable format, explores the artists’ drive to express how they honed their creativity, and what compromises they have made to pursue their craft both before and after finding success. Each chapter’s topic is distilled into a practical lesson for both professionals and aspirants to heed if they wish to find or maintai...
As Christopher Nolan’s Batman films and releases from the Marvel Cinematic Universe have regularly topped the box office charts, fans and critics alike might assume that the “comic book movie” is a distinctly twenty-first-century form. Yet adaptations of comics have been an integral part of American cinema from its very inception, with comics characters regularly leaping from the page to the screen and cinematic icons spawning comics of their own. Movie Comics is the first book to study the long history of both comics-to-film and film-to-comics adaptations, covering everything from silent films starring Happy Hooligan to sound films and serials featuring Dick Tracy and Superman to comi...
Leveling the Playing Field tells the story of the African American members of the 1969–70 Syracuse University football team who petitioned for racial equality on their team. The petition had four demands: access to the same academic tutoring made available to their white teammates; better medical care for all team members; starting assignments based on merit rather than race; and a discernible effort to racially integrate the coaching staff, which had been all white since 1898. The players’ charges of racial disparity were fiercely contested by many of the white players on the team, and the debate spilled into the newspapers and drew protests from around the country. Mistakenly called th...
Behind the glitter of Hollywood lies a high-powered, multibillion-dollar business whose workings are known only to industry insiders.InThe Movie Business Book,forty of Hollywood's most celebrated producers, directors, screenwriters, agents, lawyers, marketers, distributors, exhibitors, and deal makers reveal the secrets of their trade in personal accounts that are both highly informative and wonderfully entertaining.This new edition -- fully revised and updated for the movie industry of the '90s -- includes such unique perspectives as David Puttnam on producers, Sydney Pollack on directors, Henry Jaglom on independent filmmaking, Mike Medavoy on studio management, Richard Childs on home video, Martin Polon on new technology, and thirty-four more.
In the late-nineteenth and early twentieth centuries, America and Japan were in the process of establishing their positions as powers in a world dominated by Western Europe. The two nations with unconnected histories and cultures found themselves in momentary sympathy as they embarked on their first forays into military imperialism, expanded their trade, and constructed civic institutions intended to compete with those of Europe. It was during this period that mass entertainments developed and began circulating across national borders and, drawing on tourist practices, helped create a "universal" visual culture which coexisted with local particularities. This dissertation undertakes a study ...
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An important reexamination of early film history, translated from the French for the first time.
Conventional screen histories tend to concentrate on New York City and Hollywood in chronicling the evolution of American cinema. Notwithstanding both cities’ tremendous contribution, Syracuse and Central New York also played a strategic—yet little-known—role in early screen history. In 1889 in Rochester, New York, George Eastman registered a patent for perforated celluloid film, a development that would telescope the international race to record motion by means of photography to the immediate future. In addition, the first public film projection occurred in Syracuse, New York, in 1896. Norman O. Keim and David Marc provide a highly readable and richly detailed account of the origins of American film in Central New York, the colorful history of neighborhood theaters in Syracuse, and the famous film personalities who got their start in the unlikely snow belt of New York State. Lavishly illustrated, this book will be treasured by both film buffs and Central New Yorkers.
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