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Danish Television Drama
This book explores how to understand the international appeal of Danish television drama and Nordic Noir in the 2010s. Focusing on production and distribution as well as the series and their reception, the chapters analyse how this small nation production culture was suddenly regarded as an example of best practice in the international television industries, and how the distribution and branding of particular series – such as Forbrydelsen/The Killing, Borgen and Bron/The Bridge – led to dedicated audiences around the world. Discussing issues such as cultural proximity, transnationalism and glocalisation, the chapters investigate the complex interplays between the national and international in the television industries and the global lessons learned from the way in which screen ideas, production frameworks and public service content from Denmark suddenly managed to travel widely. The book builds on extensive empirical material and case studies conducted as part of the transnational research project ‘What Makes Danish Television Drama Travel?’
A Gauntlet
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Norway's Christiania Theatre, 1827-1867
Norway's struggle to assert an independent cultural and political identity in the nineteenth century was played out with particular fervor at the Christiania Theatre in Christiania (now Oslo). Until the 1860s the Danish actors and directors dominated the Christiania Theatre, and even plays written by Norwegian authors were performed in Danish. This study examines the intellectual campaigns that transformed the Christiania Theatre from a Danish stage into the forerunner of Norway's National Theatre. It focuses on the culture wars between the Norwegian nationalists and the so-called Danomanians in the 1830s; the promotion of the Hegelian and national romantic cultural agenda in the 1840s and 1850s; Bjornson's and Ibsen's rejection of both radical nationalism and the entrenched Danishness of the theater in the 1850s' and Bjornson's ambitious attempt to reform the theater in the mid-1860s. It is illustrated. Ann Schmiesing is an Associate Professor of Scandinavian and German literature and culture at the University of Colorado at Boulder.
Norway
Norway is a country with a rich history, diverse culture, and unique customs. Today, it is one of the most successful countries in the world, and its citizens are among the happiest on Earth. This book explores Norways evolution from ancient times to the Vikings and finally to the present day, examining the way Norway operates as a country, its government, and the people who make the country what it is today. All books of the critically-acclaimed Cultures of the World® series ensure an immersive experience by offering vibrant photographs with descriptive nonfiction narratives, and interactive activities such as creating an authentic traditional dish from an easy-to-follow recipe. Copious maps and detailed timelines present the past and present of the country, while exploration of the art and architecture help your readers to understand why diversity is the spice of Life.
F-O
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The Nordic Languages
Annotation This handbook is conceived as a comprehensive history of the North Germanic languages from the oldest times up to the present day. Whereas most of the traditional presentations of Nordic language history are confined to individual languages and often concentrate on purely linguistic data, the present work covers the history of all Nordic languages in its totality, embedded in a broad culture-historical context. The Nordic languages are described both individually and in their mutual dependence as well as in relation to the neighboring non-Nordic languages. The handbook is not tied to a particular methodology, but keeps in principle to a pronounced methodological pluralism, encompa...
