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Glenn Ligon: Encounters and Collisions
Glenn Ligon (b. 1960) is one of the most significant American artists of his generation. Much of his work relates to abstract cxpressionism and minimalist painting, remixing formal characteristics to highlight the cultural and social histories of the time, such as the civil rights movement. This new book brings together artworks and other material Ligon references or work with which he shares certain affinities. The book illustrates works by Ligon and other artists--including Chris Ofili, Willem de Kooning, Jackson Pollock, Lorna Simpson, Felix Gonzalez-Torres, and Jasper Johns--accompanied by texts by Ligon, Francesco Manacorda, Alex Farquharson, and Gregg Bordowitz, and an anthology of some 20 texts selected/excerpted by Ligon.
Aquatopia
Examines the original and fascinating journey of discovery into the influence of the ocean in cultural history. Includes work by a wide range of artists and writers and accompanies a UK touring exhibition.
The Climate of History in a Planetary Age
For the past decade, historian Dipesh Chakrabarty has been one of the most influential scholars addressing the meaning of climate change. Climate change, he argues, upends long-standing ideas of history, modernity, and globalization. The burden of The Climate of History in a Planetary Age is to grapple with what this means and to confront humanities scholars with ideas they have been reluctant to reconsider—from the changed nature of human agency to a new acceptance of universals. Chakrabarty argues that we must see ourselves from two perspectives at once: the planetary and the global. This distinction is central to Chakrabarty’s work—the globe is a human-centric construction, while a planetary perspective intentionally decenters the human. Featuring wide-ranging excursions into historical and philosophical literatures, The Climate of History in a Planetary Age boldly considers how to frame the human condition in troubled times. As we open ourselves to the implications of the Anthropocene, few writers are as likely as Chakrabarty to shape our understanding of the best way forward.
Making Peace with the Earth
Making Peace with the Earth outlines how a paradigm shift to earth-centred politics and economics is our only chance of survival and how collective resistance to corporate exploitation can open the way to a new environmentalism."--pub. desc.
Telling Invents Told
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Kafou
Kafou: Haiti, Art and Vodou traces the extraordinary history of Haiti's popular art over seven decades, from pioneers like Hector Hyppolite, Philome Obin, Wilson Bigaud and Georges Liautaud, promoted in the 1940s and 50s by Andre Breton and the Surrealists, to exciting contemporary figures like Myrlande Constant, Edouard Duval- Carrie, Frantz Zephirin and the Atis Rezistans group. Its focus is the abiding significance of Vodou (or voodoo ) in the art of Haiti's urban and rural poor. The book documents a major exhibition presented at Nottingham Contemporary in 2012 curated by Alex Farquharson and Leah Gordon."
Our Lady of Everything
Margaret O'Shea never thought she'd find herself praying for the life of an English soldier. But with her grandson Eoin fighting in Iraq, Margaret can't do anything but say the rosary and hope that he comes home unscathed. His fiancée Katarzyna is a good Catholic girl, even if she goes to Nottingham's Polish church rather than its Irish one. What Margaret doesn't know is that Kathy's way of coping with Eoin's absence goes beyond prayer or reading horoscopes. Her friend David has been studying Chaos Magic to distract himself from his new post-PhD career selling figurines of rat men to acne-ridden teenagers and wants Kathy to participate in his Rite of Internet Love. But everyone gets more chaos than they bargained for when a video of a wounded Iraqi and a soldier who looks a lot like Eoin starts circulating. This is a sharp, wry and moving debut novel about love, faith and what normal people do when they don't have any of the answers.
In Catastrophic Times
This book is addressed to everyone who is struggling and experimenting today, to everyone who is a true contemporary of what Stengers dares to call "the intrusion of Gaia," this "nature" that has left behind its traditional role and now has the power to question us all. In Catastrophic Times is neither a book of prophecy nor a survival guide. Here, Stengers reminds us that it falls to us to experiment with the apparatuses that make us capable of surviving without sinking into barbarism, to create what nourishes trust where panicked impotence threatens.
Thomas Demand
Thomas Demands work lures the viewer into a reality that is not what it appears to be. His images present scenes of political and social events, which the artist recreates out of paper and cardboard, in a scale that is true to the original size of the setting. Demand then photographs these sculptures, creating images in which specific traces of the events and the protagonists are removed, leaving possible evidence of a crime scene, one which appears familiar but yet out of reach. The exhibition and book Nationalgalerie brings together Demands work of the last 15 years which is rooted in German imagery. Demand examines the Deutschlandbild, the German image in photographs from a variety of scenarios in the post-war period. From a selection both known and new of key images of decisive political events and private moments Demand offers a kaleidoscopic vision of a society.
A Lebanese Archive
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