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Notae Latinae
Betrifft die Handschrift Cod. 167 der Burgerbibliothek Bern.
The Figure of Echo
"In this essay on 'what the imagination has made of the phenomenon of echo, ' the author examines certain aspects of the figure of echo in light of their significance for poetry. Looking at echo in its literal, acoustic sense, echo in myth, and echo as literary allusion, Mr. Hollander concludes with a study of the rhetorical status of the figure of echo, and the ancient and newly interesting trope of metalepsis, or transumption, which it appears to embody. Centered on ways by which Milton's poetry echoes, and is echoed by, other texts, The Figure of Echo deals well with Spencer and other Renaissance writers, with romantic poets such as Keats, Shelley, and Wordsworth, and with echoes of their nineteenth-century forebears in such modern poets as Hardy, Eliot, Stevens, Frost, Williams and Hart Crane."--Front dust jacket inside flap.
Western Plainchant
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations....
