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The second part of this multi-volume project assembles a series of recollections and debates on the Ukrainian revolutions of 1990, 2004, and 2013–2014. After an introduction to the methodology of oral history, it presents twenty interviews with participants and eyewitnesses of the events in Ukraine, and documents a series of workshop discussions conducted at a symposium held in 2017. In these workshops, activists and observers of each of the three revolutions exchanged and compared their memories, analyses, and evaluations. This volume thus not only provides a comprehensive collection of firsthand accounts of the three historic Ukrainian upheavals, but also reveals the interrelations between them. The volume documents assessments from Barbara Krauz-Mozer, Markiyan Ivashchyshyn, Natalia Klymovska, Vakhtang Kipiani, Mykola Kniazhycki, Natalyia Zubar, Yulia Tymoshenko, Aleksander Kwaœniewski, Viktor Taran, Markiyan Matsekh, Yulia Tychkivska, Leonid Findberg, Yulia Mostova, Oksana Zabuzhko, Eduard Drach, Michailo Cherenkoff, Andriy Dudchenko, Oleg Mahdych, Rebecca Harms, Herman van Rumpoy, and Jacek Saryusz-Wolski.
This is the first comprehensive bibliographic guide to Galicia history.
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
Includes entries for maps and atlases.
Along with Sergei Eisenstein and Vsevolod Pudovkin, Alexander Dovzhenko became one of the major pioneers of Soviet filmmaking. During his thirty-year career, his films (including Zvenyhora, Arsenal, Earth, and Ivan) won international acclaim and have become influential classics of the silent and early sound eras. Combining images from Ukrainian history and folklore, stark realism, visual poetry, propaganda, and gentle humor, his films celebrated nature and man's relationship to the land. From his humble beginnings in the Ukrainian peasantry, Dovzhenko developed into a volatile artist with a great belief in cinema as an art form for the people. Fearing arrest and execution, he had to come to ...