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One of the first anthologies to focus on Mexican dance practices on both sides of the border
The first anthology to focus specifically on the topic of Chicana expressive culture, Chicana Traditions features the work of native scholars: Chicanas engaged in careers as professors and students, performing artists and folklorists, archivists and museum coordinators, and community activists. Blending narratives of personal experience with more formal, scholarly discussions, Chicana Traditions tells the insider story of a professional woman mariachi performer and traces the creation and evolution of the escaramuza charra (all-female precision riding team) within the male-dominated charreada, or Mexican rodeo. Other essays cover the ranchera (country or rural) music of the transnational performer Lydia Mendoza, the complex crossover of Selena's Tejano music, and the bottle cap and jar lid art of Goldie Garcia. Framed by the Chicana feminist concept of the borderlands, a formative space where cultures and identities converge, Chicana Traditions offers a lively commentary on how women continue to invent, reshape, and transcend their traditional culture.
DIVAn anthology of original essays from Chicana feminists which explores the complexities of life experiences of the Chicanas, such as class, generation, sexual orientation, age, language use, etc./div
Women in Asian Performance offers a vital re-assessment of women's contributions to Asian performance traditions, focusing for the first time on their specific historical, cultural and performative contexts. Arya Madhavan brings together leading scholars from across the globe to make an exciting intervention into current debates around femininity and female representation on stage. This collection looks afresh at the often centuries-old aesthetic theories and acting conventions that have informed ideas of gender in Asian performance. It is divided into three parts: erasure – the history of the presence and absence of female bodies on Asian stages; intervention – the politics of female intervention into patriarchal performance genres; reconstruction – the strategies and methods adopted by women in redefining their performance practice. Establishing a radical, culturally specific approach to addressing female performance-making, Women in Asian Performance is a must-read for scholars and students across Asian Studies and Performance Studies.
In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music, theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology.
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
The charismatic form of healing called qigong, which at its core involves meditative breathing exercises, achieved enormous popularity in China during the last two decades. Anthropologist Nancy N. Chen examines the cultural context of medicine and healing practices in the PRC, Taiwan, and the United States, and the pages of her book come alive with the narratives of the numerous practitioners, healers, psychiatric patients, doctors, and bureaucrats she interviewed.
Polish Migrants in Belfast: Border Crossing and Identity Construction proposes an understanding of identity as a multidimensional and multilayered entity whose various layers are in a dialogue. The book investigates the processual nature of one’s sense of belonging formed as a result of a dialectics between people’s efforts to preserve the boundaries of their culture of origin and the urge to transgress them, detectable in everyday life, religious holidays, and ethnic festivals. The book examines also the role of religion as an important factor shaping ethnic identities of Poles and explores how the “Polish” self-ascription remains a powerful building block of migrants’ identities....
This timely and innovative book offers an introduction to a range of creative methods, providing both empirical and conceptual guidance. Based upon existing empirical work and richly illustrated throughout, each chapter carefully examines creative methodology and/or methods within an event and festival context. International case studies are incorporated throughout, providing real-world examples of how these methods have been used in practice, as well as highlighting potential ethical issues. Each chapter includes a concise ‘how to’ set of guidelines to help researchers and students employ creative methods in their own work, as well as a series of ‘think points’ to help develop ethical practices. Chapters illustrate new pathways or lessons learned from research during the pandemic and other challenging landscapes. This significant volume offers festival and event researchers and students a different approach to their work that could result in better research, reaching hidden and marginalised groups.
Ann Kingsolver presents stories people have tole about NAFTA - young people and old, urban and rural, with differing political perspectives, occupations, and other markers of identity - that demonstrate their expectations and imaginations of the sweeping trade agreement. NAFTA. Kingsolver contends, both before and after its passage, became a catch-all in public discourse for tensions related to neoliberal policies and to economic and cultural processes of globalization. The storytellers in her book, from Mexico, Kentucky, and California, imagined the meaning and possible effects of regional integration on topics ranging from agriculture, to the stereotyping of workers, to national sovereignty and identity. NAFTA became invested with possibilities far beyond the scope of its literal provisions. Kingsolver analyzes the metaphorical meanings attributed to NAFTA, whether a giant truck in your rear-view mirror(in Ralph Nader's words) or a panacea for what they tell us about the changing relationship between national governments and their publics. She finds that, rather than strengthening national authority, the passage of NAFTA led to intense public questioning and deep political divi