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Schreiner's life is central to her texts. In this study Cherry Clayton explores Schreiner's fiction and nonfiction as "complementary aspects of the same developing mind and art." Without reducing Schreiner's literature to the purely autobiographical, Clayton suggests that Schreiner's fictional accounts of spiritual and social unconventionality are profoundly tied to the author's experiences as a young woman.
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This letter edition is both an open window into the lives of two notable people and a methodological work of exacting scholarship. The correspondence tells of a unique relationship between two seminal figures - Olive Schreiner, the South African-born late-19th century feminist, and Havelock Ellis, forerunner in the research on human sexuality - begun while they were still in their 20s and lasting 35 years. It covers a tumultuous love affair, marriages to people other than each other, and vastly changing fortunes, both political and literary, in England and South Africa through the bridge years of the early 20th century. The author has put the hundreds of letters into chronological order for the first time, edited them into readable yet academically correct form, and annotated them with clarity and understanding. The introductory chapters put into perspective the letters psychological and historical significance."
Olive Schreiner was an extraordinary and unconventional woman of genius. She was also South Africa's first major novelist, a humanist, a liberal thinker, and a feminist. In an era when no respectable woman went without stockings, she was considered outrageous for shunning corsets and stays.
Containing 550 letters--some newly discovered, many unknown to general readers--this first of two volumes spans the years 1871 to 1899, from Schreiner's career as a governess to her life in Europe and her marriage. These letters, certain to satisfy the reawakened interest in Schreiner, give a full and rounded picture of the novelist's life and work. Containing 550 letters--some newly discovered, many unknown to general readers--this first of two volumes spans the years 1871 to 1899, from Schreiner's career as a governess to her life in Europe and her marriage.
Recent years have seen a rennaissance of scholarly interest in the fin-de-siƩcle fiction of the New Woman. New Woman Strategies offers a new approach to the subject by focusing on the discursive strategies and revisionist aesthetics of the genre in the writings of three of its key exponents: Sarah Grand (1854-1943), Olive Schreiner (1855-1920) and Mona Caird (1854-1932). The study explores how each writer drew on, mimicked, feminized and ultimately transformed traditional literary and cultural tropes and paradigms: feminity, allegory and mythology.