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My Mother, the Psychopath
What do you do when the person you’re meant to trust the most in the world is the one trying to destroy you? ‘When people met her they thought how lovely she was, this attractive woman with a beautiful laugh. But she was one person in public and another behind closed doors. Who would she be today? The loving mother? The trusted teacher? The monster destroying my life?’ Olivia has been afraid ever since she can remember. Out of sight, she was subjected to cruelty and humiliation at the hands of the one person who should have loved and protected her at all times – her mother, Josephine. While appearing completely normal to the outside world, Josephine displayed all the signs of being a psychopath – unbeknown to her daughter until adulthood – and Olivia grew up feeling scared, worthless and exploited. Even when she found the courage to cut ties, her mother found new ways to manipulate and deceive, attempting to destroy her life with a vicious campaign of abuse. Now Olivia has come to terms with her past and gives a fascinating, harrowing and deeply unsettling insight into what it’s like growing up with a psychopathic parent.
Far From Home I-VI
Books 1-6 in the best-selling series written by Tony Healey
"My Dear Friend"
A sequel to A Portrait in Letters: Correspondence to and about Joseph Conrad (Rodopi, 1995), this volume collects and annotates letters to Joseph Conrad by his family, friends, admirers, and publishers. An indispensable companion to the writer's own letters, it restores the quality of exchange, interaction, and debate that belongs to a major correspondence. It also leads to a fuller, more rounded picture of Conrad in his personal and professional dealings: both of the mutualities and rituals that underpinned his close friendships and of the terms underlying his mutual disagreements with others. Familiar names are here – Arnold Bennett, John Galsworthy, Edward Garnett, Ford Madox Ford, Bert...
The Life and the Art
The Life and the Art: A Study of Conrad's Under Western Eyes has a twofold origin. Over the past ten years, as an associate editor of the prospective Cambridge Edition of Under Western Eyes, the author, Keith Carabine, has worked on the genesis and composition of the novel in its several versions and on its literary, ideological, social, and historical contexts. At the same time during these years he has taught seminar courses on Conrad for undergraduates and on Conrad and Dostoevsky for postgraduates. This interpenetration of teaching and research constantly reminded the author that his many hours devoted to textual minutiae and manuscript variations or to a study of Conrad's Polish backgro...
Constance Garnett
None
Conrad's Narratives of Difference
In Joseph Conrad’s tales, representations of women and of "feminine" generic forms like the romance are often present in fugitive ways. Conrad’s use of allegorical feminine imagery, fleet or deferred introductions of female characters, and hybrid generic structures that combine features of "masculine" tales of adventure and intrigue and "feminine" dramas of love or domesticity are among the subjects of this literary study. Many of Conrad’s critics have argued that Conrad’s fictions are aesthetically flawed by the inclusion of women and love plots; thus Thomas Moser has questioned why Conrad did not "cut them out altogether." Yet a thematics of gender suffuses Conrad’s narrative str...
Henry James: The master, 1901-1916
Biography of Henry James, an American-British author.
Roomscape
Drawing on archival materials around this national library reading room, Roomscape is the first study that integrates documentary, theoretical, historical, and literary sources to examine the significance of this public interior space for women writers an
Olive & Stepniak
None
Apology of Culture
Contemporary philosophy and theology are ever more conscious of the fact that the model of relations between religion and culture developed in modernity is fundamentally flawed. The processes of the secularization of society, culture, and even religion are rooted in the dualistic vision of religion and culture introduced in the late Middle Ages. In seeking a way out, we need to explore domains of culture unaffected by Western European secular thinking. Russian thought is remarkably well prepared to formulate an alternative to secular modernity. Indeed, in Russian culture there was neither a Renaissance nor an Enlightenment. Eastern Christianity retained an integral patristic vision of human ...
