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Le Corbusier
The Centre Pompidou is devoting a retrospective to the work of Charles-Édouard Jeanneret, aka Le Corbusier. Not only a visionary architect, urban planner and theorist of modernity, but also a painter and sculptor, Le Corbusier made a profound impression on the 20th century in dramatically changing architectural design and the way people lived in it. The Centre Pompidou invites audiences to grasp the output of this major figure in modernity through the idea of human proportions, the human body being essential as a universal principle defining all aspects of architecture and spatial composition. Based on a chronology structured by the main stages of this new aesthetic concept, the exhibition offers a fresh journey through Le Corbusier's work. Here the body is "seeing" and "cognitive", and we get a consistent picture of all the thinking that went into his painted, sculpted and architectural output. The modernist Le Corbusier who created Purist architecture is often pitted against the post-war Le Corbusier, the exponent of a concrete Brutalism and more organic forms. But the exhibition shows how his entire approach was in fact totally seamless.
Les nouvelles conditions du projet urbain
Considère les nouvelles prérogatives de la construction urbaine, en placant la critique et l'intellectuel au sein de la production citadine.
Global Heritage Assemblages
UNESCO aims to tackle Africa’s under-representation on its World Heritage List by inscribing instances of nineteenth- and twentieth-century modern architecture and urban planning there. But, what is one to make of the utopias of progress and development for which these buildings and sites stand? After all, concern for ‘modern heritage’ invariably—and paradoxically it seems—has to reckon with those utopias as problematic futures of the past, a circumstance complicating intentions to preserve a recent ‘culture’ of modernization on the African continent. This book, a new title in Routledge’s Studies in Culture and Development series, introduces the concept of ‘global heritage ...
Gabriel Guevrekian
The Elusive Modernist setzt sich mit der Geschichte der Moderne auseinander und zwar basierend auf dem Vermächtnis eines ihrer Protagonisten, Gabriel Guevrekian (ca. 1900–1970). Der in Istanbul geborene Guevrekian wuchs in Teheran auf und zog als junger Erwachsener nach Wien, um an der Kunstgewerbeschule Architektur zu studieren. Später arbeitete er mit Oskar Strnad, Josef Hoffmann, Adolf Loos, Henri Sauvage und Robert Mallet-Stevens, und zu seinen bekanntesten Entwürfen gehören der kubistische Garten für die Villa Noailles in Frankreich und zwei Häuser für die Wiener Werkbund-Ausstellung. Mit nicht einmal dreißig Jahren galt Guevrekian als eine der bedeutendsten Persönlichkeiten ...
Prior Art
A groundbreaking text on the history of the use of patents in architecture. Although patents existed in Renaissance Italy and even in Confucian thought, it was not until the middle third of the nineteenth century that architects embraced the practice of patenting in significant numbers. Patents could ensure, as they did for architects’ engineering brethren, the economic and cultural benefits afforded by exclusive intellectual property rights. But patent culture was never directly translatable to the field of architecture, which tended to negotiate issues of technological innovation in the context of the more abstract issues of artistic influence and formal expression. In Prior Art, scholar...
Paris Bride
"In July 1905, in Paris, a young woman, a bride, becomes Marie Schad. In April 1984, in London, Marie Schad is declared to be no more--indeed, to never have been, and returns to France. Paris Bride pursues this no-woman in a wild attempt to glimpse her face in the modernist crowd. With increasing desperation the pages of Stephane Mallarmé, Oscar Wilde, Franz Kafka, Virginia Woolf, Katherine Mansfield, Louis Aragon, André and Walter Benjamin are all ransacked for traces of Marie. What is pieced precariously together is an experimental life--a properly modernist life, a life that, by its very obscurity, lives the obscure life of modernism itself.
Socializing Architecture
At the intersection of architecture, art, public culture, and political theory, Socializing Architecture urges architects and urbanists to mobilize a new public imagination toward a more just and equitable urbanization. Drawn from decades of lived experience, Teddy Cruz and Fonna Forman engage the San Diego–Tijuana border region as a global laboratory to address the central challenges of urbanization today: deepening social and economic inequality, dramatic migratory shifts, explosive urban informality, climate disruption, the thickening of border walls, and the decline of public thinking. Complementing Spatializing Justice, Socializing Architecture is the second part of a two-volume monog...
The Politics of Furniture
In many different parts of the world modern furniture elements have served as material expressions of power in the post-war era. They were often meant to express an international and in some respects apolitical modern language, but when placed in a sensitive setting or a meaningful architectural context, they were highly capable of negotiating or manipulating ideological messages. The agency of modern furniture was often less overt than that of political slogans or statements, but as the chapters in this book reveal, it had the potential of becoming a persuasive and malleable ally in very diverse politically charged arenas, including embassies, governmental ministries, showrooms, exhibitions...
Machine à Amuser
A richly illustrated history of a single building, the celebrated and yet enigmatic penthouse of the wealthy playboy Charles de Beistegui, designed by Le Corbusier and Pierre Jeanneret in late 1920s Paris. What does it take to build not only a house but a machine for amusement? In Machine à Amuser, Wim van den Bergh chronicles the genesis of the famous penthouse of French-born Mexican millionaire bachelor Charles de Beistegui. The penthouse was planned and constructed by Le Corbusier & Pierre Jeanneret and built on a rooftop site on the Champs-Élysées between 1929–1932. Retracing the evolution of this icon of modern architecture from the initial competition between Gabriel Guevrekian, A...
