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The Astronomer's Chair
The astronomer’s observing chair as both image and object, and the story it tells about a particular kind of science and a particular view of history. The astronomer’s chair is a leitmotif in the history of astronomy, appearing in hundreds of drawings, prints, and photographs from a variety of sources. Nineteenth-century stargazers in particular seemed eager to display their observing chairs—task-specific, often mechanically adjustable observatory furniture designed for use in conjunction with telescopes. But what message did they mean to send with these images? In The Astronomer’s Chair, Omar W. Nasim considers these specialized chairs as both image and object, offering an original ...
Observing by Hand
Today we are all familiar with the iconic pictures of the nebulae produced by the Hubble Space Telescope’s digital cameras. But there was a time, before the successful application of photography to the heavens, in which scientists had to rely on handmade drawings of these mysterious phenomena. Observing by Hand sheds entirely new light on the ways in which the production and reception of handdrawn images of the nebulae in the nineteenth century contributed to astronomical observation. Omar W. Nasim investigates hundreds of unpublished observing books and paper records from six nineteenth-century observers of the nebulae: Sir John Herschel; William Parsons, the third Earl of Rosse; William ...
Russell Vs. Meinong
A century after ‘On Denoting’ was published, the debate it initiated continues to rage. On the one hand, there is a mass of new historical scholarship, about both Russell and Meinong, which has not circulated very far beyond specialist scholars. On the other hand, there are continuing problems and controversies concerning contemporary Russellian and Meinongian theories, many of them involving issues that simply did not occur to the original protagonists. This work provides an overview of the latest historical scholarship on the two philosophers as well as detailed accounts of some of the problems facing the current incarnations of their theories.
Bertrand Russell and the Edwardian Philosophers
The author demonstrates the significant role that some of the Edwardian philosophers played in the formation of Russell's work on the problem of the external world done at the tail-end of a controversy which raged between about 1900-1915.
Unveiling Galaxies
A thought provoking study of the powerful impact of images in guiding astronomers' understanding of galaxies through time.
Anton Pannekoek: Ways of Viewing Science and Society
Anton Pannekoek (1873-1960), prominent astronomer and world-renowned socialist theorist, stood at the nexus of the revolutions in politics, science and the arts of the early twentieth century. His astronomy was uniquely visual and highly innovative, while his politics was radical. This volume collects essays on Pannekoek and his contemporaries at the crossroads of political history, the history of science and art history.
The Astronomer's Chair
The astronomer’s observing chair as both image and object, and the story it tells about a particular kind of science and a particular view of history. The astronomer’s chair is a leitmotif in the history of astronomy, appearing in hundreds of drawings, prints, and photographs from a variety of sources. Nineteenth-century stargazers in particular seemed eager to display their observing chairs—task-specific, often mechanically adjustable observatory furniture designed for use in conjunction with telescopes. But what message did they mean to send with these images? In The Astronomer’s Chair, Omar W. Nasim considers these specialized chairs as both image and object, offering an original ...
The Waterless Sea
Mirages have long astonished travelers of the sea and beguiled thirsty desert voyagers. Traditional Chinese and Japanese poetry and art depict the above-horizon, superior mirage, or fata morgana, as exhalations of clam-monsters. Indian sources relate mirages to the “thirst of gazelles,” a metaphor for the futility of desire. Starting in the late eighteenth century, mirages became a symbol in the West of Oriental despotism—a negative, but also enchanted, emblem. But the mirage motif is rarely simply condemnatory. More often, our obsession with mirages conveys a sense of escape, of fascination, of a desire to be deceived. The Waterless Sea is the first book devoted to the theories and history of mirages. Christopher Pinney navigates a sinuous pathway through a mysterious and evanescent terrain, showing how mirages have impacted politics, culture, science, and religion—and how we can continue to learn from their sublimity.
Discovery and Classification in Astronomy
Astronomical discovery involves more than detecting something previously unseen. The reclassification of Pluto as a dwarf planet in 2006, and the controversy it generated, shows that discovery is a complex and ongoing process – one comprising various stages of research, interpretation and understanding. Ranging from Galileo's observation of Jupiter's satellites, Saturn's rings and star clusters, to Herschel's nebulae and the modern discovery of quasars and pulsars, Steven J. Dick's comprehensive history identifies the concept of 'extended discovery' as the engine of progress in astronomy. The text traces more than 400 years of telescopic observation, exploring how the signal discoveries of new astronomical objects relate to and inform one another, and why controversies such as Pluto's reclassification are commonplace in the field. The volume is complete with a detailed classification system for known classes of astronomical objects, offering students, researchers and amateur observers a valuable reference and guide.
The Technical Image
In science and technology, the images used to depict ideas, data, and reactions can be as striking and explosive as the concepts and processes they embody—both works of art and generative forces in their own right. Drawing on a close dialogue between the histories of art, science, and technology, The Technical Image explores these images not as mere illustrations or examples, but as productive agents and distinctive, multilayered elements of the process of generating knowledge. Using beautifully reproduced visuals, this book not only reveals how scientific images play a constructive role in shaping the findings and insights they illustrate, but also—however mechanical or detached from in...
