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Ever struggled with your own duality? You are not alone! I let my dichotomies dialogue, and my creative muse appeared on my journey to oneness. May my musings inspire your own unique expression. We all have our own star song.
Catalog of an exhibition held at The Museum of Modern Art, New York, Feb. 19-May 14, 2012.
Maisons d'éditions mentionnées: "Artimo, Atopia Projects, Book Works, Factotum, Inventory, JRP/Ringier, Lukas & Sternberg, The Metropolitan Complex, Millimetre, Morning Star, Onestar Press, Pork Salad Press, Revolver, Slought Foundation.
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Located less than a mile from Juárez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. In Curating at the Edge, Kate Bonansinga brings to life her experiences as the Rubin’s founding director, giving voice to a curatorial approach that reaches far beyond the limited scope of “border art” or Chicano art. Instead, Bonansinga captures the creative climate of 2004–2011, when contemporary art addressed broad notions of destruction and transformation, irony and subversion, gender and identity, and the impact of location on politics. The Rubin’s location in the Chihuahuan deser...
Collection of previously published essays.
The first ""final"" version of a never-ending project, a bibliography of conceptual literature - not just appropriation-based conceptualism, but also relatively ""rigorous"" forms of flarf, concrete poetry and so on. Like the editors of the anthology ""I'll Drown My Book: Conceptual Writing by Women,"" I consider a more inclusive definition. At least in my version (and I invite other people to continue it if they can/want to), there are more than a thousand books and hundreds of authors included from different countries, nationalities, genders - as different as it is possible for now, of course. Authors are sorted alphabetically, books by the same author chronologically. More about the process and about my views on conceptualism can be found in the opening of the book. For free PDF check http: //khora-impex.com/. P.S. The file of v1.0 did not make it through Lulu printers, sorry to those of you who ordered it. This (sadly, b&w) version contains corrections and additions.
Art historian and conceptual artist Michael Huey returns again and again to the topics loss, legacy, and the archive in his work, including that of a journalist covering historical architecture in central Europe and beyond. In search of a variety of expressions of life and passion, he has for more than 30 years written about interiors—home, in the broadest sense—for newspapers and magazines, starting with The Home Forum, the arts and letters page of The Christian Science Monitor, and continuing for The World of Interiors, German AD, nest, and Cabana. This book contains a selection of Michael Huey’s very best stories, comprising over 70 superb articles accompanied by the author’s inspiring photographs. Through this lens we travel from hidden gems of the Baroque to forgotten places of the 19th century, to Vienna’s Art Nouveau, and on to recent times. But always he shows us homes, interiors, and people lovingly interwoven with art.
The conditions in which present-day architecture is produced are partly local and singular and partly global and universal. Understanding contemporary architecture means understanding all of these aspects. What are the pivotal themes? Gert Wingårdh and Rasmus Wærn, Sweden’s most active architect and its best-known architecture critic, asked themselves this question and made a selection of approximately fifty terms and concepts, including Branding, Collaborators, Corporate, Desire, Future, Everyday, Ornament, and Wheelchair. The result is a very special dictionary with humorous illustrations and original articles by interesting protagonists such as Denise Scott Brown, Kenneth Frampton, Ma...
Moving beyond existing scholarship, this book connects photography, archives, ecology and historical change and critically applies the Anthropocene as framework to the in-depth study of artists’ projects. It discards single modes of seeing environmental transformations in favour of a multiple and de-centred environmental imagination. Bergit Arends uses multidisciplinary perspectives to view localized environmental, social and political issues through research-based artistic practices. The book not only makes available original research into newly and recently discovered archives of ecological and historical change but also shows how this research is manifest in exhibition formats. This boo...