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Memoirs and Letters was first published in 1934. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. This volume, the last in a set of four containing posthumous works of Oscar W. Firkins, consists mainly of some two hundred personal letters, which reveal many delightful facets of a unique character. Oscar W. Firkins—critic, biographer, playwright, lecturer, and teacher—was regarded as a recluse, living in a world peopled largely by "poets dead and gone" and the creatures of their imagination and his own. That he enjoyed warm friendships with men and ...
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Oscar Firkins' books, posthumously published, are finding what the author, during his reclusive life, never looked for - popularity, that wide appeal which is evinced in the demand for a second edition of this book of plays and the friendly reception that has resulted in putting both his plays and the more recently published Memoirs and Letters on "bestseller" lists. John Keats, in a London twilight finds himself one wit the immortal figures of his Ode on a Grecian Urn. That timelessness of beauty to which he gave serene expression in his famous ode is the theme of The Bride of Quietness, the
In Virtue's Hero, Len Gougeon draws on a huge array of primary documents--unpublished speeches, the correspondence of abolitionists, family papers, records of abolition society meetings, and more--to offer a detailed and comprehensive account of Emerson's antislavery position. --from publisher description
The enormous critical resurgence of interest in Ralph Waldo Emerson over the past fifteen years has restored the `Sage of Concord' to his former role as an American icon. At the same time, this renewed interest raises old historical and critical questions about his place in American Transcendentalism, and in American culture generally. This collection of essays seeks to address the variety of critical questions about Emerson and to reevaluate his significance through his own metaphors of insight and influence, particularly that of the `circle'.ROBERT E. BURKHOLDER is Associate Professor of English at the Pennsylvania State University; WESLEY T. MOTTis Professor of English at the Worcester Polytechnic Institute. Contributors: ROBERT A. GROSS, ALBERT J. VON FRANK, LEN GOUGEON, RONALD A. BOSCO, FRANK SHUFFELTON, PHYLLIS COLE, ROBERT D. RICHARDSON JR, DAVID M. ROBINSON, DANIEL SHEALY, HELEN R. DEESE, KENT P. LJUNGQUIST, GARY L. COLLISON, PHILIP F. GURA
"This book examines the radical change women underwent - and facilitated - from 1880 to 1927, by looking at five case studies of feminist performance: suffragist parades; feminist drama groups; the Gamut Club; the Provincetown Players; the Neighborhood Playhouse; and four successful female Broadway directors - Lillian Trimble Bradley, Rachel Crothers, Edith Ellis, and Minne Maddem Fikse. Viewed collectively, the chapters create an overarching argument as to the nature of firstwave feminist performance." --Book Jacket.