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The stage designs and Productions from the Premieres to the present.
Wagner was more than a composer--he was a cultural phenomenon. The author seeks to explain this phenomenon. One claim is that Wagner's music dramas served to provide encouragement and inspiration to Victorians struggling with the problems of a changing and challenging era. Intellectual developments (including the theories of Charles Darwin and the impact of historical scholarship on Biblical studies) had struck a severe blow against religious orthodoxy. Thus, the English strove to retain their inherited or instinctive beliefs and at the same time to accept the conclusions of natural and social science. Frustrated by the academic arguments, many persons turned to less intellectual substitutes, including Wagnerism. Almost all of Wagner's plots involve some form of redemption and hunger for the infinite. The author also claims that Wagnerism drew on the Victorian need for social justice, and points out that just as many Wagnerians sought emancipation from confining materialist philosophies or simply delighted in sexual liberation.
WWII had gone into its fourth year. For Germany, the war is looking ever bleaker and this on many war fronts. Of course the one in the east is no exception. The German army is being pushed back continuously. Often enough, military formations are passed over by the foes and get surrounded. This is the story of just such a unit, which suddenly finds itself being cut off by the Russians and end up miles behind enemy lines. The sudden and vehement onset of the east’s famous hard winters makes things worse for the men of the Fifth Company. They must not only fight a relentless enemy, but harsh weather conditions to boot. Will they make it back to the own lines, which are also moving back? And if they do, who will be left behind, dead and frozen stiff far, far away from home?
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Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.
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