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Parisian forms
German photographer Otto Steinert did not see the people of Paris, he saw its structures, rhythms and its subtle plays of light and shadow. The building facades lining Steinert's avenues tell the story of Paris during that era, but his blurred figures and vehicles, moving against such stationery backdrops, look strange and fleetingly intangible. In this volume, a series of multiple exposures and luminograms, which were created at landmarks like the Place de la Concorde, reveal Steinert's prescience and his embrace--as the founder of the postwar Fotoform movement--of the tenets of Bauhaus photography. This important volume features numerous previously unpublished photographs taken by Steinert in Paris between 1948 and 1956. Containing an essays by photographer and writer Florian Ebner, it reveals key developments in Steinert's unique and influential language.
Otto Steinert
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Otto Steinert
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Otto Steinert
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Creative Photography
First authoritative, comprehensive study of photography from a purely aesthetic point of view, spanning its history from daguerreotypes to modern photo-reportage. 240 superb photographs. First inexpensive paperback edition.
Art of the 20th Century
The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.
Otto Steinert: "Über die Gestaltungsmöglichkeiten der Fotografie" - Fotografie als künstlerisches Medium
Studienarbeit aus dem Jahr 2009 im Fachbereich Kunst - Fotografie und Film, Note: 1,0, Ruhr-Universität Bochum (Institut für Kunstgeschichte), Sprache: Deutsch, Abstract: Die vorliegende Arbeit beschäftigt sich mit Otto Steinerts Text "Über die Gestaltungsmöglich-keiten der Fotografie", der 1955 im Katalog zur zweiten Ausstellung der Reihe >subjektive fotografiesubjektive fotografiesubjektiven fotografie
ISBN 3-932949-11-0
Das Buch enthält 18 Interviews mit Persönlichkeiten aus der Geschichte der Fotografie (Künstler, Fotografen und Kunsthistoriker). Die Interviews zeigen die vielfältigen Verknüpfungen zwischen europäischer und amerikanischer Kultur.
