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These essays explore the parameters of Wagner's rich literary and architectural creations.
In 1896, Otto Wagner's "Modern Architecture" shocked the European architectural community with its impassioned plea for an end to eclecticism and for a "modern" style suited to contemporary needs and ideals, utilizing the nascent constructional technologies and materials. Through the combined forces of his polemical, pedagogical, and professional efforts, this determined, newly appointed professor at the Vienna Academy of Fine Arts emerged in the late 1890s - along with such contemporaries as Charles Rennie Mackintosh in Glasgow and Louis Sullivan in Chicago - as one of the leaders of the revolution soon to be identified as the "Modern Movement." Wagner's historic manifesto is now presented ...
By the time Viennese architect Otto Wagner (1841-1918) began publishing the drawings included in this colouring book, he had already spent a great deal of his career designing buildings in the historicist style. But his attitude was changing, and in time he wholly disregarded those early designs. The images here, presented roughly chronologically, show the shifts he made throughout his career. He published these drawings as part of Einige Skizzen, Projekte und ausgefu ̈hrte Bauwerk (Sketches, Projects and Executed Buildings), beginning in 1890 and ending with a posthumous fourth volume in 1922.Some one hundred years after Wagner's death, his mark can still be found throughout his hometown, in buildings that include the Church of St. Leopold (a.k.a. Kirche am Steinhof), the architect's two villas, and former railway buildings for the Stadtbahn. Drawings for those structures are among these images, but many of the others you will find here were never completed. Despite this, today Wagner is celebrated for his lasting contributions to the architectural spirit of Vienna.
"Discover the groundbreaking structures of Otto Wagner One of Austria's most influential architects, Otto Wagner (1841 1918) played a key role in modernizing urban architecture. Forming an approach described as structural rationalism, Wagner pioneered use of materials such as glass, steel, and especially aluminum."--
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A book about architecture and society, a wide-ranging cultural and historical depiction of successful Jewish entrepreneurs in an increasingly industrialized Europe, from the dissolution of the ghetto and the 1848 liberation movement to Hitler's assumption of power in Germany. Inspired by Jewish messianism, they pursued a modern culture, free from the old feudal society. The principal characters are bankers, merchants, and industrialists together with their architects, from Schinkel and Semper to Mies van der Rohe and Le Corbusier. They build in Paris, Berlin, and Vienna, Budapest and New York, and in more remote centers of Jewish entrepreneurial activity, such as Oradea (Nagyvarad) in present-day Romania and Lodz in Poland, Stockholm and Gothenburg in Sweden. The buildings shed new light on the Europe of today, but also on a Europe that is lost beyond recall.
Set within the fascinating cultural and political world of Vienna from the fin-de siecle to the present day, this book provides an insightful analysis of the city's extraordinarily rich architectural tradition. Since 1900, Vienna has produced many great architects and their work includes some of the finest masterpieces of the twentieth century such as Otto Wagner's Stadtbahn stations, his Postsparkasse and his Majolica House, Adolf Loos's American Bar and Goldman & Salastch, the Secession building by Joseph Maria Olbrich, and Josef Hoffmann's Palais Stoclet, not to mention Ludwig Wittgenstein's House for his sister. Beginning with Wagner's polemical manifesto, Moderne Architektur, it stresse...