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Obstinate Star
Obstinate Star is a history of Puerto Rico’s independence struggle against Spanish and U.S. colonialism. From the time of the Napoleonic Wars, it traces the movement’s currents, within and beyond the island, linking them to ongoing social conflicts and international trends and conjunctures. Beginning with the radical democratic fight against Spanish control, it moves on to the early reactions to U.S. rule, the role of Nationalism, Communism and New Deal currents during the Great Depression and the Second World War, the rise of new forces in the wake of the Cuban revolution and recent struggles in the epoch of capitalist globalisation.
My Music Is My Flag
Puerto Rican music in New York is given center stage in Ruth Glasser's original and lucid study. Exploring the relationship between the social history and forms of cultural expression of Puerto Ricans, she focuses on the years between the two world wars. Her material integrates the experiences of the mostly working-class Puerto Rican musicians who struggled to make a living during this period with those of their compatriots and the other ethnic groups with whom they shared the cultural landscape. Through recorded songs and live performances, Puerto Rican musicians were important representatives for the national consciousness of their compatriots on both sides of the ocean. Yet they also play...
America's Colony
An examination of the legal relationship between U.S. and Puerto Rico.
Olimpismo
The Olympic Games are a phenomenon of unparalleled global proportions. This book examines the rich and complex involvement of Latin America and the Caribbean peoples with the Olympic Movement, serving as an effective medium to explore the making of this region. The nine essays here investigate the influence, struggles, and contributions of Latin American and Caribbean societies to the Olympic Movement. By delving into nationalist political movements, post-revolutionary diplomacy, decolonization struggles, gender and disability discourses, and more, they define how the nations of this region have shaped and been shaped by the Olympic Movement.
Hispanic Culture of Mexico, Central America, and the Caribbean
One of a series of reference volumes, each examining a cultural period of a particular nation. Culture is used in a broad sense to encompass all the ways in which a people define themselves, including a wide scope of human communication and expression, from advertising to fine art. Famous individuals are also covered, such as John Cgae, Jackson Pollock, Richard Burton, Mussolini, Lenin and Aretha Franklin. In addition, the text defines the entries and describes and analyzes the influence and significance of each one. For example, an entry on abstract expressionism will not only define the movement, but will also describe what it means to us and what it says about us. Entries range from 50 to 1000 words, with between 500 and 1000 entries appearing in each individual volume.
Postnational Musical Identities
Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification.
Salsa, sabor y control!
Notable libro sobre la música "tropical" centrándose especialmente, aunque no únicamente, en la salsa, género de gran difusión nacido en tierra del autor de este texto, Puerto Rico. En el tejido de este ensayo se cruzan los hilos de la historia, de la etnicidad, de la danza, de lo nacional, de la espontaneidad y de la erudición, alcanzando una coherencia teórica nueva en este campo. A través de sus páginas se puede profundizar sobre la historia, significado, sociología e influencia de la música tropical, aun cuando se enfoca en la música de Puerto Rico (también llamada Nuyorricans); no obstante, desde ella logra entrecruzarla con otras disciplinas científicas como la física que, en primera instancia, parecieran no estar conectadas con la música.
