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The Closed Hand
In her book, The Closed Hand: Images of the Japanese in Modern Peruvian Literature, Rebecca Riger Tsurumi captures the remarkable story behind the changing human landscape in Peru at the end of the nineteenth century when Japanese immigrants established what would become the second largest Japanese community in South America. She analyzes how non-Japanese Peruvian narrators unlock the unspoken attitudes and beliefs about the Japanese held by mainstream Peruvian society, as reflected in works written between 1966 and 2006. Tsurumi explores how these Peruvian literary giants, including Mario Vargas Llosa, Miguel Gutiérrez, Alfredo Bryce Echenique, Carmen Ollé, Pilar Dughi, and Mario Bellatin...
Post-Global Aesthetics
Phenomena such as the Covid-19 pandemic, climate change, or the surge of political populism show that the current phase of accelerated globalization is over. New concepts are needed in order to respond to this exhaustion of the global project: the volume scrutinizes these responses in the aesthetic realm and under a "post-global" banner, while incorporating alternative, non-Western epistemologies and literatures of the post-colonial Global South.
Colonial Itineraries of Contemporary Mexico
"This book discusses rewritings of the Mexican colonia to question present-day realities of marginality and inequality, imposed political domination, and hybrid subjectivities. Critics examine literature and films produced in and around Mexico since 2000to broaden our understanding beyond the theories of the new historical novel and upend the notion of the novel as the sole re-creative genre"--
Planes Flying over a Monster
From one of Mexico’s most exciting young writers, a cosmopolitan and candid essay collection exploring life in cities across the world and reflecting on the transformative importance of literature in understanding ourselves In ten intimate essays, Daniel Saldaña París explores the cities he has lived in, each one home to a new iteration of himself. In Mexico City he’s a young poet eager to prove himself. In Montreal—an opioid addict desperate for relief. In Madrid—a lonely student seeking pleasure in grotesque extremes. These now diverging, now coalescing selves raise questions: Where can we find authenticity? How do we construct the stories that define us? What if our formative memories are closer to fiction than truth? Saldaña París turns to literature and film, poetry and philosophy for answers. The result is a hybrid of memoir and criticism, "a sensory work, full of soundscapes, filth, planes, closed spaces, open vastness" (El País).
Contemporary Mexican Women Writers
Mexican women writers moved to the forefront of their country's literature in the twentieth century. Among those who began publishing in the 1970s and 1980s are Maria Luisa Puga, Silvia Molina, Brianda Domecq, Carmen Boullosa, and Angeles Mastretta. Sharing a range of affinities while maintaining distinctive voices and outlooks, these are the women whom Gabriella de Beer has chosen to profile in Contemporary Mexican Women Writers. De Beer takes a three-part approach to each writer. She opens with an essay that explores the writer's apprenticeship and discusses her major works. Next, she interviews each writer to learn about her background, writing, and view of herself and others. Finally, de...
The Mexican Crack Writers
This book provides a rich and cutting-edge analysis of one of the most prominent literary groups in Latin America: the Mexican Crack Writers. The first part explores the history of the group and its relation to the Latin American literary tradition, while the second part is devoted to the critical analysis of the works of each of the authors: Ricardo Chávez Castañeda, Ignacio Padilla, Pedro Ángel Palou, Eloy Urroz and Jorge Volpi. The volume is further enriched by the inclusion, in the appendix, of the two manifestos of the group: the Crack Manifesto and the Crack Postmanifesto (1996-2016). It will be of great interest to students and scholars focusing on contemporary Latin American literature.
Mex-Ciné
A multidisciplinary investigation of contemporary Mexican cinema
The Big Read
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Shiki Nagaoka
Au dire de Mario Bellatin, le célèbre écrivain japonais Shiki Nagaoka exerça une influence décisive sur de grands auteurs comme Juan Rulfo, Tanizaki ou encore le cinéaste Ozu Kenzo. Quant à sa vie et son œuvre, elles furent très certainement déterminées par la taille de son nez, véritable symbole de " l'invasion belliqueuse de l'Occident " d'après son entourage, et déroutant motif romanesque qui ferait presque douter de l'existence de son auteur. C'est sans compter sur la réflexion essentielle que Shiki mena sur les rapports entre beauté et monstruosité, mots et images, Orient et Occident, laquelle contribua à révolutionner l'art photographique du XXe siècle mais aussi la...
Vision, Technology, and Subjectivity in Mexican Cyberpunk Literature
Vision, Technology and Subjectivity in Mexican Cyberpunk Literature interrogates an array of cyberpunk and post-cyberpunk science fiction novels and short stories from Mexico whose themes engage directly with visual technologies and the subjectivities they help produce – all published during and influenced by the country’s neoliberal era. This book argues that television, computers, and smartphones and the literary narratives that treat them all correspond to separate-yet-overlapping scopic regimes within the country today. Amidst the shifts occurring in the country’s field of vision during this period, the authors of these cyberpunk and post-cyberpunk narratives imagine how these devi...
