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This perceptive, lively study explores U.S. women's sport through historical "points of change": particular products or trends that dramatically influenced both women's participation in sport and cultural responses to women athletes. Beginning with the seemingly innocent ponytail, the subject of the Introduction, scholar Jaime Schultz challenges the reader to look at the historical and sociological significance of now-common items such as sports bras and tampons and ideas such as sex testing and competitive cheerleading. Tennis wear, tampons, and sports bras all facilitated women’s participation in physical culture, while physical educators, the aesthetic fitness movement, and Title IX enc...
This book on the history of Hollywood's high-flying career women during the studio era covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist.
This latest volume brings the project up to date, with entries on almost 500 women whose death dates fall between 1976 and 1999. You will find here stars of the golden ages of radio, film, dance, and television; scientists and scholars; civil rights activists and religious leaders; Native American craftspeople and world-renowned artists. For each subject, the volume offers a biographical essay by a distinguished authority that integrates the woman's personal life with her professional achievements set in the context of larger historical developments.
"Natalia Mehlman Petrzela, a leading scholar and proselytizer for physical well-being, elucidates the political and social implications of America's exercise cult(ure). Delving into the paradox of why so many Americans are physically unfit, despite the power of the exercise industry, Petrzela shows fitness to be both a product and a marker of education, social class, wealth, power, and more. Like much in postwar American life, fitness has been privatized, and the resulting dominant ideology of exercise is a product of neoliberal political and culture choices. Petrzela reveals a story that puts Charles Atlas, Jane Fonda, the Chippendales, and so many lesser-known people at the center of American culture, media, and politics"--
This work examines the way in which the unique partnership of director (Sternberg), star (Marlene Dietrich), studio (Paramount), and designer (Travis Banton) created a series of films in which costume functions as a sign to structure each film's narrative and thematic design. Illustrated.
Adriana gets a job sewing for Edith Head at Paramount' s costume department in the early 1940s. Adriana falls in love with a bit player named Rose and the two move in together. Living with a woman goes unnoticed as most people presume they areonly roommates. But as Adriana's career blossoms, society and life start to interfere and Adriana makes decisions that affect three generations of her family.1998: Adriana's granddaughter Laura has left LA on the heels of a failed relationship and a subsequently failed career in film development. She moves in with her grandmother in Baltimore to find some time and space to think. The problem is she always spent time here with her dearest friend and cousin Becca, who died suddenly in a car crash, leaving her 13-year-old daughter,Lizzie.Adriana, in her eighties and wrestling with the past is now suddenly responsible for Laura and Lizzie. In this compelling literary family drama, three lives twine together in the past and the present to take a closer look at how family, wanted or not, makes up who we are.
Explores the ways that stereotypes of heterosexuality are portrayed and constructed in film.
Thirty years ago, Grace Kelly was tragically killed when her vehicle tumbled forty meters from the serpentine roads of Monaco. She has since become a myth, a style icon existing between the glamour of Hollywood and the royalty of Monaco. As Hitchcock’s favorite actress to work with, Kelly acted in classic films including Rear Window and To Catch a Thief, opposite actors such as Frank Sinatra and Cary Grant. Yet her private life remained in the shadows. Her marriage to Prince Rainier III was not anchored by love, and her life on the Riviera was more akin to a golden cage. She was an individual torn between illusion and reality, simultaneously idolized by millions. This comprehensive biograp...
A compelling portrait of one of Hollywood’s most invincible women, the late Barbara Stanwyck. A most unusual movie star, Stanwyck was an actress of considerable and neglected talent who elevated every role she had, a woman whose personal life matched the rocky road of her career. Whispered to be among Hollywood’s scandalous “sewing circle,” a group of internationally famous actresses who hid their potentially career-ending lesbianism and bisexuality, Stanwyck kept her liaisons a secret. Despite her steely resolve and her image as a take-control kind of woman, Stanwyck suffered from turbulent marriages and relationships, including her sensational marriage to, and divorce from, the abusive Robert Taylor. Madsen provides a fresh look at this fascinating, complex screen goddess, offering provocative and shocking details from one of Hollywood’s most interesting lives.
All About Eve. Funny Face. Sunset Blvd. Rear Window. Sabrina. A Place in the Sun. The Ten Commandments. Scores of iconic films of the last century had one thing in common: costume designer Edith Head (1897 -- 1981). She racked up an unprecedented 35 Oscar nods and 400 film credits over the course of a fifty-year career. Never before has the account of Hollywood's most influential designer been so thoroughly revealed -- because never before have the Edith Head Archives of the Academy of Motion Picture Arts and Sciences been tapped. This unprecedented access allows this book to be a one-of-a-kind survey, bringing together a spectacular collection of rare and never-before-seen sketches, costume test shots, behind-the- scenes photos, and ephemera.