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Thirty years ago, Grace Kelly was tragically killed when her vehicle tumbled forty meters from the serpentine roads of Monaco. She has since become a myth, a style icon existing between the glamour of Hollywood and the royalty of Monaco. As Hitchcock’s favorite actress to work with, Kelly acted in classic films including Rear Window and To Catch a Thief, opposite actors such as Frank Sinatra and Cary Grant. Yet her private life remained in the shadows. Her marriage to Prince Rainier III was not anchored by love, and her life on the Riviera was more akin to a golden cage. She was an individual torn between illusion and reality, simultaneously idolized by millions. This comprehensive biograp...
Thirty years ago, Grace Kelly was tragically killed when her vehicle tumbled forty meters from the serpentine roads of Monaco. She has since become a myth, a style icon existing between the glamour of Hollywood and the royalty of Monaco. As Hitchcock’s favorite actress to work with, Kelly acted in classic films including Rear Window and To Catch a Thief, opposite actors such as Frank Sinatra and Cary Grant. Yet her private life remained in the shadows. Her marriage to Prince Rainier III was not anchored by love, and her life on the Riviera was more akin to a golden cage. She was an individual torn between illusion and reality, simultaneously idolized by millions. This comprehensive biograp...
"Bringing together many of the most important scholars of German film, this hugely significant collection offers a fascinating and subtle account of the contours of the political in the post-Wall cinematic landscape."---Paul Cooke, professor of German cultural studies in the School of Modern Languages and Cultures, University of Leeds --Book Jacket.
A sustained and systematic study of the construction, erosion and reconstruction of national histories across a wide variety of states is highly topical and extremely relevant in the context of the accelerating processes of Europeanization and globalization. However, as demonstrated in this volume, histories have not, of course, only been written by professional historians. Drawing on studies from a number of different European nation states, the contributors to this volume present a systematic exploration, of the representation of the national paradigm. In doing so, they contextualize the European experience in a more global framework by providing comparative perspectives on the national histories in the Far East and North America. As such, they expose the complex variables and diverse actors that lie behind the narration of a nation.
St. Bernadette’s impoverished childhood, her work as a shepherdess, visions of Our Lady, harsh treatment as a nun, and tragic death at the age of 35 are recalled in this groundbreaking book. Numerous Irish miracles and cures at Lourdes are recollected. Recoveries from cancer, epilepsy, lung problems, skin disease, pain, paralysis and physical disability are included. John F. Kennedy, Grace Kelly, Brendan Behan and Seamus Heaney are among the millions who have visited the shrine. You can read their stories, along with those of other Irish pilgrims. Using first-hand testimony, this moving and inspirational book brings you up-close to the wonders of Lourdes in a way you have never experienced before. Reviews 'Riveting story of St. Bernadette and why the Pyrenean town is a place of pilgrimage and peace’ -RTĖ Radio 1 'A deeply felt, warmly sympathetic and humane book' - The Irish Catholic 'Terrific read'’ - Belfast Telegraph 'A book that will make you believe in miracles’ - C103 'Brings readers close up to the many wonders of Lourdes' - Shannonside FM
Volker Schlöndorff’s Cinema: Adaptation, Politics and the “Movie-Appropriate”examines the work of major postwar Germandirector Volker Schlöndorff in historical, economic, and artistic contexts. . In spite of Schlöndorff’s successes with films like The Lost Honor ofKatharina Blum and The Tin Drum, as well as his acclaimed work in the U.S. with Death of a Salesman, Gathering of Old Men and The Handmaid’s Tale, this is the first in-depthcritical study of the filmmaker’s career.
Women in German Yearbook is a refereed publication that presents a wide range of feminist approaches to all aspects of German literature, culture, and language, including pedagogy. Reflecting the interdisciplinary perspectives that inform feminist German studies, each issue contains critical studies involving gender and other analytical categories to examine the work, history, life, literature, and arts of the German-speaking world.Ruth-Ellen Boetcher Joeres is a professor of German at the University of Minnesota. Marjorie Gelus is a professor of German at California State University at Sacramento.
Germany is the most important and powerful country in Europe. And yet it remains strangely little understood - by itself, as much as by the rest of the world. It is in a state of remarkable flux, confronting the demons of the past, whilst also seeking to make the West and the East into one country - a much greater challenge than it seemed. The coming enlargement of the European Union, which will bring much of formerly communist Eastern Europe into the EU, will make Germany more pivotal than ever. So what makes this country tick? For decades after the Second World War, the country remained strongly polluted by the Nazi legacy; there was little attempt to confront the past. For today's younger...
“Brisk [and] forceful.” Sight & Sound "Lucidly argued.” Total Film Margarethe von Trotta and Volker Schlöndorff's The Lost Honour of Katharina Blum (1975) was a pivotal film for the New German Cinema movement. Julian Preece considers what makes Katharina Blum new and radical, in particular in respect of women's cinema and its portrayal of the ordeal of its female lead in a world run by men. Drawing on archival material including drafts of the screenplay, brochures and props, reviews and interviews, Preece traces the conception of the film and its development from Heinrich Böll's original novel. Preece analyses how the film continues to resonate with our contemporary moment and has influenced film-makers from the German-Turkish director Fatih Akin to the British screenwriter Peter Morgan.
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