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Vortex Street
Poetry. "Confirming the truth that grief is the growing-pot of beauty, VORTEX STREET mourns the passage of time in the forms of loss of youth and youthful dreams, dying parents, omnipresent knowledge of the world's violence, the past enshrined in a house for sale. Page Hill Starzinger, acute and excitingly associative, articulates these complex sorrows with unflinching originality. These poems remind the reader what it feels like to live in the moment as moments inexorably move on; they will stay with you."--Kathleen Ossip "Last swelling of the uterus, last circuit of a childhood home, last flare of recognition on a father's face: 'It is most certainly the end of something,' writes the poet in these pages. And upon that unblinking apprehension builds an edifice of praise. We love the world because we are doomed to lose it, and nowhere is that love more eloquently manifest than in poems like those of VORTEX STREET."--Linda Gregerson
Vestigial
Poetry. "'[F]ragments--my / specialty, ' writes Page Hill Starzinger in her compelling first book, VESTIGIAL, and, indeed, the title implies the book itself is a remnant. But if VESTIGIAL is fragmentary, ('leavinges / and fragmentes...etched and eroded...') it is a flood of fragments. This is a vivid, dynamic, and muscular collection whose poems seem able to sweep everything into themselves--from the etymology of early English to the percentage of homes in Delhi without clean water. Yet the poems are neither anarchic nor hectic. In fact, in counterpoint to their energy, there is a beautiful, almost grave, and measured cadence to this work as Starzinger, like Penelope, weaves and unweaves. As she writes, 'I keep trying to shape a story. I keep disappearing.' VESTIGIAL is a marvelous debut."--Lynn Emanuel
The Thin Wall
Past Praise for Mother Quiet: "The aim of poetry (and the higher kind of thriller) is to be unexpected and memorable. So a poem about death might treat it in a way that combines the bizarre and the banal: the Other Side as some kind of institution—a creepy hospital, an officious hotel or retirement home. Martha Rhodes takes such an approach in 'Ambassadors to the Dead,' from her abrupt, unsettling, artfully distorted, indelible new book Mother Quiet. Blending the matter-of-fact with the surreal, as a way of comprehending the stunning, final reality, Rhodes is an inheritor of Emily Dickinson's many poems on the same subject." —Robert Pinsky, Washington Post
My Book of the Dead
For more than thirty years, Ana Castillo has been mesmerizing and inspiring readers from all over the world with her passionate and fiery poetry and prose. Now the original Xicanista is back to her first literary love, poetry, and to interrogating the social and political upheaval the world has seen over the last decade. Angry and sad, playful and wise, Castillo delves into the bitter side of our world--the environmental crisis, COVID-19, ongoing systemic racism and violence, children in detention camps, and the Trump presidency--and emerges stronger from exploring these troubling affairs of today. Drawings by Castillo created over the past five years are featured throughout the collection and further showcase her connection to her work as both a writer and a visual artist. My Book of the Dead is a remarkable collection that features a poet at the height of her craft.
The Places Where Community Is Practiced
In this open access publication, the social cohesion of urban neighborhoods and their residents is examined, which is often viewed as vulnerable since increased mobility, individualization, wider socio-economic and demographic changes have fundamentally altered the basis for everyday social interaction in urban neighborhoods. Anna Steigemann gives scholarly attention to the concrete places where neighborly interactions still take place and to how these interactions affect local community building. She illuminates and explores the ordinary everyday interactions and social practices in and around shops and gastronomic facilities on a shopping street in Berlin-Neukölln, revealing how these businesses are important places where community is practiced, but also why they are increasingly threatened by commercial and residential gentrification.
Adorable Airport
Poetry. "Reading ADORABLE AIRPORT in an unadorable and overadorned airport on my way out of low-desert Arizona in high summer, I'm reminded of how useful seasons are in tracking the progress of lives and loves and all the vees these vessels contain...I hear echoes of Dickinson, Williams, and Stein, but Inger Christensen and Walter Abish also haunt this joint, as do the Talking Heads, which is to say if you like good things, you'll like this good thing."--Ander Monson
Columbus Noir
O-H-Oh-No! Fourteen storytellers reveal a gritty side to C-Bus in this collection of crime tales. Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all-new stories, each one set in a distinct neighborhood or location within the respective city. With stories by: Lee Martin, Robin Yocum, Kristen Lepionka, Craig McDonald, Chris Bournea, Andrew Welsh-Huggins, Tom Barlow, Mercedes King, Daniel Best, Laura Bickle, Yolonda Tonette Sanders, Julia Keller, Khalid Moalim, and Nancy Zafris. Praise for Columbus Noir “Moments of humanity shine through in many of the tales in this collection, and epic takes on pride and...
Ensō
"Shin Yu Pai is a poet known for her wide-ranging collaborations and creative practice engaged as much in physical space as the page. With its blend of personal essays reflecting on the development of her poetics, Ensō places new work next to old, to create not only a mid-career retrospective, but a guidebook for poets interested in moving their practice off the page and into the world around them. From her early work in place-based and ekphrastic poetry to her current experimentation with installation and projections, Ensō highlights the creative process to her poetry--the identities that resonate for her--and her thoughts on cultural hybridity, exchange and appropriation. She speaks deeply of how motherhood transformed her views of what is possible in poetry, reconnecting to her immigrant mother's creative legacy, and how personal and systematic racism and misogyny have shaped her practice, while inviting the reader into a deeper conversation about how a poet writes with and about their community"--
Portrait Before Dark
Portrait Before Dark is a poem cycle that constitutes an imaginary dialogue between the poet and patron of the arts, Edward James, and the eccentric Viennese ballerina and star of the 1920's, Tilly Losch. Liana Sakelliou began writing these poems in August 2009, when she was serving as writer-in-residence at West Dean College in West Sussex, England. Three days before she was to leave for the U.K., a wildfire surrounded her home and neighborhood. In minutes the pine forest and hillside olive groves were lost. For days, the suitcase and the clothes she'd packed smelled of smoke. Edward James, the Anglo-American millionaire, gave his estate to a charitable trust, the Edward James Foundation, w...
Transatlantic Revolutionary Cultures, 1789-1861
Transatlantic Revolutionary Cultures, 1789-1861 argues that the revolutionary era constituted a coherent chapter in transatlantic history and that individual revolutions were connected to a broader, transatlantic and transnational frame. As a composite, the essays place instances of political upheaval during the long nineteenth century in Europe and the Americas in a common narrative and offer a new interpretation on their seeming asynchrony. In the age of revolutions the formation of political communities and cultural interactions were closely connected over time and space. Reciprocal connections arose from discussions on the nature of history, deliberations about constitutional models, as well as the reception of revolutions in popular culture. These various levels of cultural and intellectual interchange we term “transatlantic revolutionary cultures.” Contributors are: Ulrike Bock, Anne Bruch, Peter Fischer, Mischa Honeck, Raphael Hörmann, Charlotte A. Lerg, Marc H. Lerner, Michael L. Miller, Timothy Mason Roberts, and Heléna Tóth.
