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The Fornes Frame
A key way to view Latina plays today is through the foundational frame of playwright and teacher, Maria Irene Fornes, who has transformed American theatre. Considering Fornes's legacy, Anne García-Romero shows how five award-winning playwrights continue to contest and complicate Latina theatre.
Paloma
Peace among Muslims, Christians, and Jews? It happened once, in Spain, for several hundred years, why couldn’t it happen again? When NYU students Ibrahim and Paloma study an ancient Muslim treatise on the art and practice of love, they debate the complexities of romantic relationships while falling into one. After tragedy strikes this Muslim–Christian interfaith romance, it tests the limits of love in a post-9/11 world and Ibrahim must seek the help of his friend Jared, a young Jewish attorney, to clear his name. -- Description from www.broadwaypub.com/the-plays/paloma
El nuevo artículo 135 de la Constitución y su incidencia en la Administración local
Este trabajo versa sobre las consecuencias en la Administración Española en general, y en especial en la municipal, producidas por la reforma Constitucional acometida en 2011, que modificó de manera sustancial el artículo 135 de la Carta Magna. El tema elegido, tiene por tanto plena actualidad. En paralelo podemos comprobar como el sistema financiero mundial ha entrado en los últimos años en una profunda crisis que ha dañado gravemente las economías del llamado primer mundo, ha destruido millones de puestos de trabajo y agravado los niveles de pobreza en muchos países, lo que se ha traducido en revueltas sociales como la conocida primavera árabe o en otros movimientos sociales como...
Western Theatre in Global Contexts
Western Theatre in Global Contexts explores the junctures, tensions, and discoveries that occur when teaching Western theatrical practices or directing English-language plays in countries that do not share Western theatre histories or in which English is the non-dominant language. This edited volume examines pedagogical discoveries and teaching methods, how to produce specific plays and musicals, and how students who explore Western practices in non-Western places contribute to the art form. Offering on-the-ground perspectives of teaching and working outside of North American and Europe, the book analyzes the importance of paying attention to the local context when developing theatrical practice and education. It also explores how educators and artists who make deep connections in the local culture can facilitate ethical accessibility to Western models of performance for students, practitioners and audiences. Western Theatre in Global Contexts is an excellent resource for scholars, artists, and teachers that are working abroad or on intercultural projects in theatre, education and the arts.
Anne Garcia-Romero: Collected Plays
These three plays by US Latina dramatist Anne Garcia Romero offer striking and sensual explorations of identity. A welcome addition to a growing body of US Latina literature for theatre and performance
Juanita's Statue
In a Spanglish-speaking land, Juanita disguises herself as a man to escape the wrath of her lover Ignacio's father. Masquerading as a "new" Don Juan, she careens through the city and seduces Alejandra, a wealthy art collector, Tomas, a leather bar patron and Beatriz, an innocent, society bride, who all fall instantly in love with him/her. Juanita's romp soon lands her squarely at the feet of Don Juan himself as she struggles to find true love. "The power of language creates worlds, realms and most importantly, relationships ... that power is evident as Juanita, a young woman living in a Spanglish-speaking land, tries on a different persona in order to escape from her lover's angry father and potential shame in her community." -Elaine Noble, Nevada Today "Throughout the play, 'Don Juanita' draws more and more attention to herself, attracting the love and care of a multitude of people along the way. The social aspects of the play are fascinating because Juanita basically tries to deconstruct what being a Don Juan is and strives to create a better version of him." -Juan Lopez, The Nevada Sagebrush"
Narcomedia
Exploring representations of Latinx people from Scarface to Narcos, this book examines how pop culture has framed Latin America as the villain in America’s long and ineffectual War on Drugs. If there is an enemy in the War on Drugs, it is people of color. That is the lesson of forty years of cultural production in the United States. Popular culture, from Scarface and Miami Vice to Narcos and Better Call Saul, has continually positioned Latinos as an alien people who threaten the US body politic with drugs. Jason Ruiz explores the creation and endurance of this trope, its effects on Latin Americans and Latinx people, and its role in the cultural politics of the War on Drugs. Even as the foc...
