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Who are the most important Canadian crime and detective writers? How do they help represent Canada as a nation? How do they distinguish Canada’s approach to questions of crime, detection, and social justice from those of other countries? The Routledge Introduction to Canadian Crime Fiction provides a much-needed investigation into how crime and detection have been, are, and will be represented within Canada’s national literature, with an attention to contemporary popular and literary texts. The book draws together a representative set of established Canadian authors who would appear in most courses on Canadian crime and detective fiction, while also introducing a few authors less established in the field. Ultimately, the book argues that crime fiction is a space of enormously productive hybridity that offers fresh new approaches to considering questions of national identity, gender, race, sexuality, and even genre.
This book reveals subversive representations of gender, race and class in detective dime novels (1860-1915), arguing that inherent tensions between subversive and conservative impulses—theorized as contamination and containment—explain detective fiction's ongoing popular appeal to readers and to writers such as Twain and Faulkner.
Traces the University of Rochester's development from a small college housed in a former hotel in 1850 to its place as a leading research university in 2005. This volume traces the University of Rochester's development from a small college housed in a former hotel in 1850 to its place as a leading research university in 2005. The story is told in eight chapters, each of which chronicles the major issues and decisions the University's leaders faced. Highlights of the story include the University's founding in a city known as the first "western" boomtown; the university's relationship in the early twentieth century with Rochester benefactor George Eastman, which enabled the establishment of world-class schools of music and medicine; and the achievements of Rochester faculty members as researchers on war-related endeavors during World WarII. Author Janice Pieterse sets her history of the university in the context not only of the fortunes of its home city but of trends and issues in American higher education over the last 150 years. Janice Pieterse is afreelance writer and journalist in Rochester, NY.
For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.
Serial Crime Fiction is the first book to focus explicitly on the complexities of crime fiction seriality. Covering definitions and development of the serial form, implications of the setting, and marketing of the series, it studies authors such as Doyle, Sayers, Paretsky, Ellroy, Marklund, Camilleri, Borges, across print, film and television.
Dick Grayson--alter-ego of the original Robin of Batman comics--has gone through various changes in his 75 years as a superhero but has remained the optimistic, humorous character readers first embraced in 1940. Predating Green Lantern and Wonder Woman, he is one of DC Comics' oldest heroes and retains a large and loyal fanbase. The first scholarly work to focus exclusively on the Boy Wonder, this collection of new essays features critical analysis, as well as interviews with some of the biggest names to study Dick Grayson, including Chuck Dixon, Devin Grayson and Marv Wolfman. The contributors discuss his vital place in the Batman saga, his growth and development into an independent hero, Nightwing, and the many storyline connections which put him at the center of the DC Universe. His character is explored in the contexts of feminism, trauma, friendship, and masculinity.
For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.
The American popular hero has deeply bipolar origins: Depending on prevailing attitudes about the use or abuse of authority, American heroes may be rooted in the traditions of the Roman conquerors of The Aeneid or of the biblical underdog warriors and prophets. This book reviews the history of American popular culture and its heroes from the Revolutionary War and pre-Civil War "women's literature" to the dime novel tales of Jesse James and Buffalo Bill. "Hinge-heroes" like The Virginian and the Rider's of the Purple Sage paved the way for John Wayne's and Humphrey Bogart's champions of civilization, while Jimmy Stewart's scrappy rebels fought soulless bankers and cynical politicians. The 1960s and 1970s saw a wave of new renegades--the doctors of MASH and the rebel alliance of Star Wars--but early 21st Century terrorism called for the grit of world weary cops and the super-heroism of Wonder Woman and Black Panther to make the world safe.
Get a comprehensive guide to this important literary figure and his author. A classic literary character, Sherlock Holmes has fascinated readers for decades -- from his repartee with Dr. Watson and his unparalleled powers of deduction to the settings, themes, and villains of the stories. Now, this friendly guide offers a clear introduction to this beloved figure and his author, Sir Arthur Conan Doyle, presenting new insight into the detective stories and crime scene analysis that have has made Sherlock Holmes famous. Inside you'll find easy-to-understand yet thorough information on the characters, recurring themes, and locations, and social context of the Sherlock Holmes stories, the relatio...
A revelatory history of the women who brought Victorian criminals to account—and how they became a cultural sensation From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realise that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves. Sara Lodge recovers these forgotten women’s lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine who got the better of love rats, burglars, and murderers alike. How did the morally ambiguous work of real women detectives, sometimes paid to betray their fellow women, compare with the exploits of their fictional counterparts, who always save the day? Lodge’s book takes us into the murky underworld of Victorian society on both sides of the Atlantic, revealing the female detective as both an unacknowledged labourer and a feminist icon.