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Sacred Modern
Renowned as one of the most significant museums built by private collectors, the Menil Collection in Houston, Texas, seeks to engage viewers in an acutely aesthetic, rather than pedagogical, experience of works of art. The Menil's emphasis on being moved by art, rather than being taught art history, comes from its founders' conviction that art offers a way to reintegrate the sacred and the secular worlds. Inspired by the French Catholic revivalism of the interwar years that recast Catholic tradition as the avant-garde, Dominique and John de Menil shared with other Catholic intellectuals a desire to reorder a world in crisis by imbuing modern cultural forms with religious faith, binding the s...
Too Jewish or Not Jewish Enough
Displays of Jewish ritual objects in public, non-Jewish settings by Jews are a comparatively recent phenomenon. So too is the establishment of Jewish museums. This volume explores the origins of the Jewish Museum of New York and its evolution from collecting and displaying Jewish ritual objects, to Jewish art, to exhibiting avant-garde art devoid of Jewish content, created by non-Jews. Established within a rabbinic seminary, the museum’s formation and development reflect changes in Jewish society over the twentieth century as it grappled with choices between religion and secularism, particularism and universalism, and ethnic pride and assimilation.
Off-Modern Catholic Aesthetics
Acknowledgements List of Illustrations Introduction 1 Off-Modern Profiles 2 Unpacking the Dynamics of Catholic Modernisation 3 “The Eclipse of God”: Transplanted Artists 4 “Background Metaphorics”: Exchanges between Art and Religion 5 Structure of the Book 1 Antinomies of Art and Theology. Marie-Alain Couturier and the Contradictions of Modern Sacred Culture Introduction: Couturier’s Conceptual Zig Zags Prelude. Paris, 1953. The Contradictoires Text Sacred Art between the Mechanical and Natural Attitudes 1 Le Saulchoir/Paris, 1918–1930. Catholic Endgame, or the Narrative of Decline 1.1 “Down with the Republic, Long Live the King!”: Couturier’s Romantic Anti-Capitalism and t...
The Spirit of This Place
Artists today are at a crossroads. With funding for the arts and humanities endowments perpetually under attack, and school districts all over the United States scrapping their art curricula altogether, the place of the arts in our civic future is uncertain to say the least. At the same time, faced with the problems of the modern world—from water shortages and grave health concerns to global climate change and the now constant threat of terrorism—one might question the urgency of this waning support for the arts. In the politically fraught world we live in, is the “felt” experience even something worth fighting for? In this soul-searching collection of vignettes, Patrick Summers give...
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Riches, Rivals, and Radicals
Since it was first published in 2006, Riches, Rivals and Radicals has been the go-to text for introductory museum studies courses. It is also of great value to professionals as well as museum lovers who want to learn the stories behind how and why these institutions have evolved since the day the first mastodon bones, royal portraits and botanical specimens entered their halls. For this third edition, Marjorie Schwarzer has mined new resources, previously unavailable archives and contemporary trends to provide a fresh look at the challenges and innovations that have shaped museums in the United States. Schwarzer argues that museums are fundamentally optimistic institutions. They build and pr...
Spiritual Moderns
Examines how and why religion matters in the history of modern American art. Andy Warhol is one of the best-known American artists of the twentieth century. He was also an observant Catholic who carried a rosary, went to mass regularly, kept a Bible by his bedside, and depicted religious subjects throughout his career. Warhol was a spiritual modern: a modern artist who appropriated religious images, beliefs, and practices to create a distinctive style of American art. Spiritual Moderns centers on four American artists who were both modern and religious. Joseph Cornell, who showed with the Surrealists, was a member of the Church of Christ, Scientist. Mark Tobey created pioneering works of Abstract Expressionism and was a follower of the Bahá’í Faith. Agnes Pelton was a Symbolist painter who embraced metaphysical movements including New Thought, Theosophy, and Agni Yoga. And Warhol, a leading figure in Pop art, was a lifelong Catholic. Working with biographical materials, social history, affect theory, and the tools of art history, Doss traces the linked subjects of art and religion and proposes a revised interpretation of American modernism.
Making Houston Modern
Complex, controversial, and prolific, Howard Barnstone was a central figure in the world of twentieth-century modern architecture. Recognized as Houston’s foremost modern architect in the 1950s, Barnstone came to prominence for his designs with partner Preston M. Bolton, which transposed the rigorous and austere architectural practices of Ludwig Mies van der Rohe to the hot, steamy coastal plain of Texas. Barnstone was a man of contradictions—charming and witty but also self-centered, caustic, and abusive—who shaped new settings that were imbued, at once, with spatial calm and emotional intensity. Making Houston Modern explores the provocative architect’s life and work, not only thro...
To Live For. a Mother's Cry for Justice
On March 22, 1991 after a 14-day trial in Rockingham County Superior Court, New Hampshire, my daughter Pamela Smart was wrongfully found guilty in the murder of her husband, Gregory Smart. She was convicted of being an accomplice to first-degree murder, conspiracy to commit murder and witness tampering. Only 22 years old at the time, she was given a life without parole sentence. My daughter did not commit these crimes. I'm not saying this because she's my daughter, but there was no credible forensic evidence to prove she had any role in Gregory's murder. This trial spiraled into a media circus and the un-sequestered jury believed all the lies that the local news stations were saying about Pa...
In Search of a Lost Avant-Garde
In 2008, anthropologist Matti Bunzl was given rare access to observe the curatorial department of Chicago’s Museum of Contemporary Art. For five months, he sat with the institution’s staff, witnessing firsthand what truly goes on behind the scenes at a contemporary art museum. From fund-raising and owner loans to museum-artist relations to the immense effort involved in safely shipping sixty works from twenty-seven lenders in fourteen cities and five countries, Matti Bunzl’s In Search of a Lost Avant-Garde illustrates the inner workings of one of Chicago’s premier cultural institutions. Bunzl’s ethnography is designed to show how a commitment to the avant-garde can come into confli...
