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In the half-century between 1831 and 1881 three massive obelisks left Egypt for new lands. Prior to these journeys, the last large obelisk moved was the Vatican obelisk in 1586 – one of the great engineering achievements of the Renaissance. Roman emperors moved more than a dozen, but left no records of how they did it. The nineteenth-century engineers entrusted with transporting the obelisks across oceans had to invent new methods, and they were far from certain that they would work. As the three obelisks, bound for Paris, London and New York, sailed towards their new homes, the world held its breath. Newspapers reported the obelisks' daily progress, complete with dramatic illustrations of...
"A deluxe book produced at the point that Harroun and Bierstadt dissolved their business ... The Artotypes in this book are some of the finest produced by Bierstadt. The pictorial record of this engineering feat is remarkable in itself; casing and tilting the obelisk, loading it into the side of the ship by removing part of the hull, pulling it out on a special dock in the Hudson and then moving it by custom made rail from the river to the site next to the Metropolitan Museum. The illustrations show the hieroglyphics, now mostly lost due to New York's polluted air, bright and clear."--Hanson Collection catalog, p. 82
"In 1934 the city of Paris saw the birth of a book, published in English, which achieved instantaneous notoriety. Henry Miller's Tropic of Cancer unfolded the adventures of a loquacious, free-wheeling, appallingly uninhibited American expatriate. But the rollicking eloquence, determined gusto, and explosive imagery of this modern Rabelais barely concealed the figure of a lonely American writer, thoroughly immersed in a legendary American situation."—from the Introduction Baxter examines Miller's relationship with his native land and with Europe through his writings and in the comments of his critics and friends, navigating through the inconsistencies and the evolution of his opinions as his experiences changed. Her insights offer a complex, nuanced evaluation of Miller as writer and as expatriate.
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This delightful book tells the story of how Cleopatra's needle, the popular Egyptian obelisk that is now located in Manhattan's Central Park, came to New York in January of 1881.-- Metropolitan Museum of Art website.
Obelisks, originally associated with the sun cult, had their heyday between 2000 and 1500 BC, when they adorned the Nile’s banks and proclaimed the splendour of the pharaohs. Today, only twenty-seven Egyptian obelisks remain standing and they are scattered in various locations throughout the world. Rome, with thirteen, boasts more than anywhere else, including Egypt itself. These monolithic structures can be seen in every corner of the ‘Eternal City’ and still hold a fascination for all who gaze upon them. This book is intended as a general guide to the obelisks that have found their way to the four corners of the earth. It examines the interest shown in them by the Roman emperors; it discusses each obelisk in detail, and traces individual histories and anecdotes concerning their journeys from Egypt. The work is illustrated throughout and translations of some of the relevant historical texts are supplied.
A new evaluation of a writer who was the talk of the literary world in the early days of the sexual revolution. Since the publication of Tropic of Cancer in 1934, Henry Miller has been the target of critics from all sides. A Self-Made Surrealist sets out to provide a view of Miller different from both earlier vindications of him as sexual liberator and prophet and more contemporary feminist critiques of him as pornographer and male chauvinist. In this re-evaluation of Miller's role as a radical writer, Blinder considers not only notions of obscenity and sexuality, but also the emergence of psychoanalysis, surrealism, automatic writing, and the aesthetics of fascism, as they illuminate Miller...
"The Astonishment Tapes is the edited transcript of revealing autobiographical audiotapes recorded by the groundbreaking poet Robin Blaser, a founding member of the Berkeley contingent of the San Francisco Renaissance in New American Poetry"--
Exposes the secret world order's true purpose and how it has affected the United States.
This book examines the problems faced by innovative writers working in a late modernist era dominated by Joyce, Eliot and Pound.