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The Facts on File Companion to the British Short Story
  • Language: en
  • Pages: 545

The Facts on File Companion to the British Short Story

A comprehensive reference to short fiction from Great Britain, Ireland, and the British Commonwealth. With approximately 450 entries, this A-to-Z guide explores the literary contributions of such writers as Joseph Conrad, James Joyce, D H Lawrence, Rudyard Kipling, Oscar Wilde, Katherine Mansfield, Martin Amis, and others.

The Poetry Circuit
  • Language: en
  • Pages: 385

The Poetry Circuit

Live performance has changed poetry more than anything else in the last hundred years: it has given poets new audiences and a new economy, and it has generated new styles, from Imagism, to confessional, to contemporary Spoken Word. But the creative impact that public reading had right through the twentieth century has not been well understood. Mixing close listening to archive performances with intimate histories of modernist venues and promotors, The Poetry Circuit tells the story of how poets met their audience again, and how the feedback loops between their voices, the venues, and the occasions turned poems into running dramas between poet and listener. A nervous T. S. Eliot reveals himse...

Poetry of the Possible
  • Language: en
  • Pages: 286

Poetry of the Possible

The abstractions of modernism reimagined as figurations of collective self-organization

Modernist Poetics of Ageing
  • Language: en
  • Pages: 209

Modernist Poetics of Ageing

What happens when the 'modern woman' ages? Modernist Poetics of Ageing answers this question by being the first book-length study of three late modernist women's writers. Drawing on their place within wider modernist networks, this monograph is primarily framed around work by Mina Loy, H.D. and Djuna Barnes, who are often thought of as the quintessentially youthful 'modern woman' of the 1920s. Taking a literary, ageing studies and cultural criticism approach, this monograph focuses on lived experience, as well as thematic representations of ageing in their work, to examine how each author grew older in the years 1940-1982. By surveying literary texts, visual art, photography, life writing an...

The New Modernist Novel
  • Language: en
  • Pages: 305

The New Modernist Novel

Considers relationships between modernist literature and literary criticism and argues that new modernist fiction can bring with it new modes of reading Considers how close reading may change as the study of modernism changes to include recently recovered fiction Asks what reading meant for selected critics of modernist literature around 1930 and around 1960 Offers readings of three new modernist novels: Djuna Barnes’s Nightwood, John Rodker’s Adolphe 1920 and Mina Loy’s Insel Considers key cultural moments of the novels' composition and reception Extends the questions about reading raised by these novels to Samuel Beckett’s Comment c’est / How It Is and Jean Rhys’s short stories...

Modernism, the Market and the Institution of the New
  • Language: en
  • Pages: 210

Modernism, the Market and the Institution of the New

  • Type: Book
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  • Published: 2009-04-14
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  • Publisher: Unknown

This volume examines the problems faced by innovative writers working in a late modernist era dominated by Joyce, Eliot and Pound.

Re-Embroidering the Robe
  • Language: en
  • Pages: 289

Re-Embroidering the Robe

Religious faith, myths and legends have always been present in literature. However, their role has changed over time. Since the middle of the nineteenth century, with the diminishing role of religion in European society, writers with some kind of belief system, whether religious or political, have tended to use myth in two different ways. They have either retold the old, familiar myths of the past so that they carry fresh messages relevant to a contemporary audience or created their own, new myths as modern vehicles of traditional truths. Many writers have combined the two techniques. Such is the transforming artistry which the eighteen essays in Re-Embroidering the Robe examine: the remaking or new-minting of myth, in literature from 1850 to the present day, so that what it embodies and expresses speaks powerfully to the modern reader. In widely differing ways, therefore, all of the texts analysed here compel attention.

Filthy Material
  • Language: en
  • Pages: 233

Filthy Material

  • Categories: Law
  • Type: Book
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  • Published: 2019
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  • Publisher: Unknown

Modernist literature is inextricable from the history of obscenity. The trials of figures like James Joyce, D. H. Lawrence, and Radclyffe Hall loom large in accounts twentieth century literature. Filthy Material: Modernism and The Media of Obscenity reveals the ways that debates about obscenity and literature were shaped by changes in the history of media. Judgments about obscenity, which hinged on understanding how texts were circulated and read, were often proxies for the changing place of literature in an age of new technological media. The emergence of film, photography, and new printing technologies shaped how literary value was understood, altering how obscenity was defined and which t...

Modernism and the Aesthetics of Violence
  • Language: en
  • Pages: 243

Modernism and the Aesthetics of Violence

This book addresses the subject of violence as it features in celebrated modernist works from the early twentieth century. It traces the modernist fascination with violence back to the middle decades of the nineteenth century, when certain writers in France and England sought to celebrate dissident sexualities and stylized criminality.

The Good Soldier
  • Language: en
  • Pages: 321

The Good Soldier

A masterpiece of early Modernism, The Good Soldier tells the story of the unfolding relationships between two couples in the words of an archetypal 'unreliable narrator'. Its portrayal of the destruction of a civilized elite is a work of unforgettable power and literary skill, here accompanied by Ford's important essay 'On Impressionism'.