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What It Feels Like interrogates an underexamined reason for our failure to abolish rape in the United States: the way we communicate about it. Using affective and feminist materialist approaches to rhetorical criticism, Stephanie Larson examines how discourses about rape and sexual assault rely on strategies of containment, denying the felt experiences of victims and ultimately stalling broader claims for justice. Investigating anti-pornography debates from the 1980s, Violence Against Women Act advocacy materials, sexual assault forensic kits, public performances, and the #MeToo movement, Larson reveals how our language privileges male perspectives and, more deeply, how it is shaped by syste...
Documents the story of a young man who suffered a traumatic brain injury that left him incapable of judging or feeling repulsion and who found purpose by learning how to connect and glean vital information from serial murderers.
Late in the 1970s, Americans began to notice more people sleeping in public places and wandering the streets. By the late 1980s, the homeless were everywhere--a grim reminder of America's social and economic troubles. Renowned social analyst Jencks discusses the causes and extent of this problem and what can be done about it. Line illustrations and tables.
Diana E. H. Russell, well-known for her pioneer research on the prevalence of rape and child sexual abuse, the reality of wife rape, the trauma of incestuous abuse, and the misogynist killing of women (femicide), breaks new ground once again in her analysis of pornography and its relationship with misogyny and rape. In this unflinching and uncompromising volume, Diana E. H. Russell examines the relationships between pornography, misogyny, and rape. As the title implies, Russell contends that these relationships are in fact dangerous to women. Dangerous Relationships begins by dealing with the vexing and thorny issue of defining pornography and considers the various types of pornographic mate...
Linda S. Kauffman turns the pornography debate on its head with this audacious analysis of recent taboo-shattering fiction, film, and performance art. Investigating the role of fantasy in art, politics, and popular culture, she shows how technological advances in medicine and science (magnetic resonance imaging, computers, and telecommunications) have profoundly altered our concepts of the human body. Cyberspace is producing new forms of identity and subjectivity. The novelists, filmmakers, and performers in Bad Girls and Sick Boys are the interpreters of these brave new worlds, cartographers who are busy mapping the fin-de-millennium environment that already envelops us. Bad Girls and Sick ...
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This is a story that Jack Valenti has long tried to keep secret. Freedom and Entertainment is the first book to offer a behind-the-scenes account of the motion picture rating system and the Motion Picture Association of America under Valenti's leadership. The book is based on the private papers and oral history of Richard D. Heffner, who headed the Classification and Rating Administration for two decades, from 1974 to 1994, and who was once called 'the least-known most powerful person in Hollywood.' The story chronicles the often tense working relationship between Heffner and Valenti, and the sometimes bruising encounters Heffner had with such Hollywood heavyweights as Clint Eastwood, Oliver Stone, Michael Douglas, George C. Scott, Lew Wasserman, Arthur Krim, Jerry Weintraub, and many others.