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The Composer As Intellectual
Their consciousness raised by the First World War and the xenophobic nationalism of official culture, some joined parties or movements, allying themselves with and propagating different sets of cultural and political-social goals."--Jacket.
French Peasant Fascism
French Peasant Fascism is the first account of the Greenshirts, a militant right-wing peasant movement in 1930s France that sought to transform the Republic into an authoritarian, agrarian state. Author Robert Paxton examines the Greenshirts in five case studies, throwing new light on French rural society and institutions during the Depression and on the emergence of a new rural leadership of authentic farmers. Paxton points out that fascism remained weak in the French countryside because the French state protected landowners more effectively than did those of Weimar Germany and Italy, and because French rural notables were so firmly embedded in social and economic power. Although the Greenshirts disappeared with the Third Republic, they left a double legacy: a tradition of peasant direct action, which is still exercised today; and the idea of France as a peasant nation, whose identity and virtues rest upon the persistence of a large peasant sector. That self-image continues to influence French policy choices today, long after the social structure on which it rested has disappeared.
What's Left?
A non-ideological, non-rhetorical, non-deconstructionist description of the politics of writing in France during the 20th century. Focuses on the signifying forms that produce a political subject or agent, particularly in relation to educational institutions. Assumes a familiarity both with French literature (but not language) and modern literary critical terminology. Paper edition (unseen), $19.75. Annotation copyrighted by Book News, Inc., Portland, OR
Cinema, Colonialism, Postcolonialism
In this first major study of French colonial and postcolonial cinema, Dina Sherzer compiles essays by some of the foremost scholars on the subject who interrogate and analyze the realities behind the images of the nation’s past and present. Through an examination of France and its colonies, multiethnic contemporary France, and cinematic discourses which have been and are being produced about France’s colonial past, these authors explore how the images relay underlying assumptions and their relation to historical and political facts. A variety of subjects and viewpoints inform these studies, which cover the entire range of films on that topic. The authors expound upon the role French and ...
The French in Love and War
Describes developments in French popular culture between 1914 and 1945, and argues that the harsh times led to the emergence of images glorifying the common Frenchman in songs, film, and popular literature
The Collaborator
On February 6, 1945, Robert Brasillach was executed for treason by a French firing squad. He was a writer of some distinction—a prolific novelist and a keen literary critic. He was also a dedicated anti-Semite, an acerbic opponent of French democracy, and editor in chief of the fascist weekly Je Suis Partout, in whose pages he regularly printed wartime denunciations of Jews and resistance activists. Was Brasillach in fact guilty of treason? Was he condemned for his denunciations of the resistance, or singled out as a suspected homosexual? Was it right that he was executed when others, who were directly responsible for the murder of thousands, were set free? Kaplan's meticulous reconstructi...
The Melodramatic Thread
“This ambitious undertaking is concerned with the melodramatic form in theatre and film and its impact on French political culture.” —H-France Review In France, both political culture and theatrical performances have drawn upon melodrama. This “melodramatic thread” helped weave the country’s political life as it moved from monarchy to democracy. By examining the relationship between public ceremonies and theatrical performance, James R. Lehning sheds light on democratization in modern France. He explores the extent to which the dramatic forms were present in the public performance of political power. By concentrating on the Republic and the Revolution and on theatrical performanc...
Of Comics and Men
Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concis...
Traumatic Memory and the Ethical, Political and Transhistorical Functions of Literature
This volume addresses the construction and artistic representation of traumatic memories in the contemporary Western world from a variety of inter- and trans-disciplinarity critical approaches and perspectives, ranging from the cultural, political, historical, and ideological to the ethical and aesthetic, and distinguishing between individual, collective, and cultural traumas. The chapters introduce complementary concepts from diverse thinkers including Cathy Caruth, Jacques Derrida, Judith Butler, Homi Bhabha, Abraham and Torok, and Joyce Carol Oates; they also draw from fields of study such as Memory Studies, Theory of Affects, Narrative and Genre Theory, and Cultural Studies. Traumatic Memory and the Political, Economic, and Transhistorical Functions of Literature addresses trauma as a culturally embedded phenomenon and deconstructs the idea of trauma as universal, transhistorical, and abstract.
