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Towards a Transcultural Future
This second collection, complementing ASNEL Papers 9.1, covers a similar range of writers, topics, themes and issues, all focusing on present-day transcultural issues and their historical antecedents: TOPICS TREATED Preparing for post-apartheid in South African fiction; Maori culture and the New Historicism; Danish-New Zealand acculturation; linguistic approaches to 'void'; women's overcoming in Southern African writing; new post-apartheid approaches to literary studies; Afrikanerdom; postmodern psychoanalytic interpretations of Indian religion and identity; transcultural identity in the encounter with London: Malaysian, Nigerian, Pakistani; hypertextual postmodernism; fictionalized multicul...
Outback Penguin
Richard Lane was one of three brothers who founded Penguin Books in 1935. But like all great stories, his life didn't start there. After sailing to Adelaide in 1922, Richard began work as a boy migrant - a farm apprentice living in rural South Australia as part of the 'Barwell Boys' scheme. In Australia, he deepened his appreciation for literature, and understood how important it was to make good writing widely accessible. Richard's diaries - the honest and moving words of a teenager, so very far away from home - capture vividly his life and loves; the characters he met; the land he worked; the families he depended on; and his coming of age in a new land. A remarkable social record and one of the best first-hand accounts of the child migrant experience, the diaries also capture the ideas and the entrepreneurship that led to the founding of the twentieth century's most famous publishing house. With a foreword by eminent Australian historian Geoffrey Blainey, Richard Lane's diaries are an important document for the history of rural Australia and global publishing 'One of the most revealing stories yet written about rural life in Australia.' Geoffrey Blainey
'Candidates for Fame'
In 1760 an innovation transformed the character of artistic life in Britain: the first public exhibition of art. A dispute split exhibitors into rival groups, among them the Society of Artists of Great Britain. This work examines the Society and looks at the politics and personalities behind the exibitions.
