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Patricia Deadman
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Fringe Momentum
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Deadman, Patricia
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Staking Land Claims
Staking Land Claims, curated by Patricia Deadman, was the first in a series of exhibitions by Aboriginal curators at The Banff Centre. In it, four Aboriginal artists explored past and present relationships between the land and its dwellers. They addressed issues of cultural perception, tradition, memory, ecological fate and identity. Their concerns bridge all cultures and ask every person to stake a claim to a shared responsibility for the land and its ecology.
Reading the Talk
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Reframings
This diverse and compelling collection of contemporary feminist visual art is now available in a paperback edition. Reframings makes visible what has been for too long nearly invisible: contemporary feminist visual art that represents a remarkable range of perspectives, styles, and subject matter. The forty-five women who created these works-artists and writers such as Deborah Willis, Carrie Mae Weems, Nan Goldin, and Carm Little Turtle-are connected by a belief that images are political and that today's feminist concerns cannot be separated from such issues as ethnicity, class, age, and sexuality. They share a consciousness that historically women have been "framed" and can now be "reframed." Author note: Diane Neumaier is Associate Professor of Visual Arts at Mason Gross School of the Arts, Rutgers University.
My Home As I Remember
My Home As I Remember describes literary and artistic achievements of First Nations, Inuit and Metis women across Canada and the United States, including contributions from New Zealand and Mexico. Their voices and creative expression of identity and place are richly varied, reflecting the depth of the culturally diverse energy found on these continents. Over 60 writers and visual artists are represented from nearly 25 nations, including writers such as Lee Maracle, Chrystos and Louise Bernice Halfe, and visual artists Joane Cardinal-Schubert, Teresa Marshall, Kenojuak Ashevak, Doreen Jensen and Shelley Niro; and some who are published for the first time in this landmark volume. Lee Maracle is the author of numerous books, including Ravensong. Sandra Laronde, writer/actor, is Executive Director of Native Women in the Arts.
Reservations Are for Indians
Offering a sympathetic but detached portrait of Canada's native people, Reservations are for Indians has become a classic. Combining the skills of a novelist with those of an accomplished journalist, Heather Robertson captures the vicious circle of dependence created by government policies which ensnares aboriginal Canadians. Her account combines a description of life in four reserve communities with a history of government policies and programmes, describing the circumstances which yielded a generation of native leaders who demand a new place in Canada's political and constitutional structure. For this edition, Heather Robertson has written a preface describing how she came to write the book, the response to it when it was first published, and how she sees it in the context of the issues regarding aboriginal rights facing Canadians today.
North of Everything
This is the first book to comprehensively examine the development of English-Canadian cinema since 1980; previous books in English have dealt either with specific films or filmmakers, with policy, or with specific genres (avant-garde film, documentary, films by women, etc.). It deals with regional and institutional questions, with the new authors that are defining contemporary cinema in English Canada, with avant-garde work and work by Aboriginal people. Bringing together a wide variety of contributors, the book deals with an enormous amount of cinema that has helped transform North American culture of the last two decades.
Ecocriticism and Indigenous Studies
This book addresses the intersections between the interdisciplinary realms of Ecocriticism and Indigenous and Native American Studies, and between academic theory and pragmatic eco-activism conducted by multiethnic and indigenous communities. It illuminates the multi-layered, polyvocal ways in which artistic expressions render ecological connections, drawing on scholars working in collaboration with Indigenous artists from all walks of life, including film, literature, performance, and other forms of multimedia to expand existing conversations. Both local and global in its focus, the volume includes essays from multiethnic and Indigenous communities across the world, visiting topics such as ...
