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In The Aesthetics of the Ephemeral, Jennifer Duprey examines five contemporary plays from Barcelona: Olors and Testament by Josep Maria Benet i Jornet, Antígona by Jordi Coca, Forasters by Sergi Belbel, and Temptació by Carles Batlle. She argues that in both the theatrical text and its performance an aesthetics of the ephemeral materializes that is related to specific manifestations of cultural and historical memory in Spain and Catalonia. These manifestations of memory include historical concerns such as the possibility of another form of justice in predicaments of violence after the Civil War, and they also include contemporary issues such as the production of ruins by the processes of gentrification in Barcelona, the complexity of immigration in Spain, and the destruction or preservation of Catalan cultural legacies. In her analysis of these topics, Duprey engages and expands on theories related to questions of subjectivity and identity in late modernity. This book will be of interest to those concerned with Iberian cultural studies and with how theater reflects on and contributes to contemporary political dialogue.
Ethnomusicology: A Research and Information Guide is an annotated bibliography of books, recordings, videos, and websites in the field of ethnomusicology. The book is divided into two parts; Part One is organised by resource type in catagories of greatest concern to students and scholars. This includes handbooks and guides; encyclopedias and dictionaries; indexes and bibliographies; journals; media sources; and archives. It also offers annotated entries on the basic literature of ethnomusicological history and research. Part Two provides a list of current publications in the field that are widely used by ethnomusicologists. Multiply indexed, this book serves as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the past decades.
'Other' Spanish Theatres challenges established opinions on modern Iberian theatre through a consideration of the roles of contrasting figures and companies who have impacted upon both the practice and the perception of Spanish and European stages. In this broad and detailed study, Delgado selects six subjects which map out alternative readings of a nation's theatrical innovation through the last century. These six subjects include Margarita Xirgu, Enrique Rambal, María Casarest and Nuria Espert.
Singular and Plural develops a framework for analyzing ideologies of linguistic authority and illuminates the institutional and interpersonal politics of language in Catalonia. Drawing on ethnographic research across thirty years of political autonomy, Kathryn Woolard shows new relationships of Catalan language, identity, and politics in the new millennium.
Stories deal with adolescence, education, marriage, aging, friendships, and life in post-France Spain
The Routledge Handbook to Spanish Film Music provides a significant contribution to the research and history of Spanish film music, exploring the interdependence and ways in which discourses of sound and vision are constructed dialogically in Spanish cinema, with contributions from leading international researchers from Spain, the USA, the UK, France and Germany. Offering a multifocal and multidisciplinary study between related areas such as music studies, film studies and Spanish cultural studies, this book is divided into four sections, covering the early years of Spanish cinema; the 1940s and 1950s in Spanish cinema—the first decades of the Franco dictatorship; the importance of Fraga I...
This book provides a genealogy of radical Basque nationalism and the means by which this complex, often violent, political movement has reinforced Basque identity. Radical nationalists are mobilized by a shared frame of reference where ethnicity and violence are intertwined in a nostalgic recreation of a golden age and a quasi-religious imperative to restore that distant past. Muro critically examines the origins of the ethno-nationalist conflict and provides a comprehensive examination of Euskadi Ta Askatusana’s (ETA) violent campaign. The book analyzes the interplay of ethnicity and violence and stresses the role of inherited myths, memories, and cultural symbols to explain the ability of radical Basque nationalism to endure.
Barcelona is regarded as a prototype of a European Mediterranean city with a long urban tradition. It has undergone a specific process of historic formation: density and compactness of urban form, evolution by extension rather than by reform. A history of urban planning necessarily includes a summary of the territorial and urban experience, the physical dimensions of the city that condition its cultural and economic development. This book centers on the construction of Barcelona, taking as its basis the most important planning operations and city projects, and drawing from diverse sources and phases. The local scale of many of the projects contrasts with the cosmopolitan aspirations that have made these interventions so innovative; including major projects for special events, such as the 1888 (World Exhibition), 1929 (Electrical Industries Exhibition) and 1992 (Olympic Games). New prospects are emerging from the recent European institutional framework, particularly changes in the economic system to a post-industrial phase. The urban planning history of Barcelona shows how the city has overcome major contradictions.